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  • March » 2012 » aaronhollowaynahum.com
    Blog Events Performances The Poorer Silence Now Performances March 30 2012 7 00 pm to 8 30 pm May 19 2012 12 30 am to 10 30 pm The Poorer Silence Now for solo oboe has been programmed in two upcoming concerts 30th March Society of New Music 7 00pm LRR Guildhall School of Music Drama 19th May Emulsion Ensemble Amorpha A one night mini show at the old vic

    Original URL path: http://www.aaronhollowaynahum.com/?m=201203&cat=3 (2016-02-08)
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  • Is everything really worse? » aaronhollowaynahum.com
    to any intelligent person that there is something seriously wrong with the NEW MODEL A number of the comments on that post have pointed out that there are a few deep and basic flaws in this logic Most pressingly iTunes and Amazon are retailers not labels and it really isn t true to say that they haven t expended resources or taken on risk in building their online platforms have a look at how many players there are trying to make money in that game I agree with these rebuttals but the real problem with Lowery s reasoning is that if these entities were really parasites that offered no added value absolutely nobody would use them Any artist can build their own website upload their digital tracks and stick a paypal or google checkout button on it Nobody is forced into a partnership with an online distributer Artists are asked to make a calculation will I make more money selling my album on my own website or through a retailer like iTunes Amazon We can argue about the respective value costs of that relationship and it is obvious that more artists need to think more deeply about that question but the fundamental point is that it has never been easier or cheaper to create high quality music with the potential for mass distribution That this has not made us artists rich is not a function of retailer s fees but to lower barriers of entry and the resultant growth in the sheer number of players in the field It s now a much larger and louder arena where it takes a long time to get noticed and established I understand the frustrations of this but looking out at the quality diversity and innovation that have started to take place in

    Original URL path: http://www.aaronhollowaynahum.com/is-everything-really-worse/ (2016-02-08)
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  • Amazon » aaronhollowaynahum.com
    the new model of the music industry for taking a roughly 30 cut of revenues without Lowery claims taking on any risk or capital expense So where record labels No Comments Blog Writing Tagged Amazon David Lowery iTunes Latest News Remember Me Part IV Performances Remember Me Part IV Premiere AIDF Anything But Real Time Premiere LSO Soundhub Atea Quintet Brighton Festival Event Calendar Jan Mar February 2016 M T

    Original URL path: http://www.aaronhollowaynahum.com/tag/amazon/ (2016-02-08)
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  • Maggie, Maggie, Maggie, Sing, Sing, Sing! » aaronhollowaynahum.com
    featuring the University s Contemporary Music Group and new pieces inspired by exhibits in the University s Otter Gallery No Comments Blog Events Performances Leave a Reply Click here to cancel reply Name required Mail will not be published required Website Leave a Reply Cancel reply Your email address will not be published Required fields are marked Comment Name Email Website Latest News Remember Me Part IV Performances Remember Me

    Original URL path: http://www.aaronhollowaynahum.com/maggie-maggie-maggie-sing-sing-sing/ (2016-02-08)
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  • The (digital) future of classical music? » aaronhollowaynahum.com
    hit on google for Berlin Philharmoniker Those unfamiliar with these services can click through on the images but in general they offer wide thorough and sometimes even live digital content Both of these services have a similar price for a yearly subscription The Met Player costs roughly 100 per year the Berlin Digital Concert Hall costs 125 per year This means that for roughly the price of a single average ticket to the Met you receive access to nearly 400 opera performances many in HD with extremely high quality sound Or for the cost of a two live tickets one can access thirty live Berlin Phil concerts and hundreds of concerts after the fact each year Assuming that you watch one opera per week this may seem like a lot or a little to you depending on your disposition you will have saved roughly 7 650 in comparison to attending live Met performances over the course of a year Moreover you will have done so without fighting New York traffic paying for taxis dinners out or even having to plan your schedule around a curtain time With the digital concert hall you can do even more watching individual pieces or chamber recitals alongside the orchestral concerts On the surface it seems like we are headed down Baekdal s road of cheap digital content replacing expensive live content and resulting in a crash of revenues in the industry But in the classical music world there are a couple of other questions First Going to the Metropolitan Opera or Berlin Philharmoniker is a special experience that can t be totally replicated online How big a difference is this If and when these services become even more convenient Oh going to the orchestra There s an app for that will the social aspect of attending concerts continue to draw people out of their homes and into the hall What if someone purchases a subscription and then invites friends over for dinner and a night at the orchestra on their 46 flat screen TV These are important questions There is also however one other huge difference whereas digital television services are offering a different version of the same product to the same people these classical music services offer their product to a vastly larger and more diverse group of people So Baekdal points out to maintain the same revenue in the industry Netflix would have to take on roughly 16 customers for each customer that leaves cable TV This is obviously not happening nor is it even really possible for it to happen there aren t 16 unique customers for Netflix to sign up for every customer that leaves cable Even if the Met Berlin Phil and other organisations do loose some concert goers to digital content there are currently huge numbers of people who never interact with classical music at all Many of the reasons these people aren t involved with classical music can be minimized by the transition into the digital realm

    Original URL path: http://www.aaronhollowaynahum.com/the-digital-future-of-classical-music/ (2016-02-08)
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  • Berlin Philharmoiker » aaronhollowaynahum.com
    for a cable TV over which they have little control limited access and in which they receive a huge amount of content they don t use People No Comments Blog Writing Tagged Berlin Philharmoiker Classical Music Digital Concert Hall Met Player The Metropolitan Opera Thomas Baekdal Latest News Remember Me Part IV Performances Remember Me Part IV Premiere AIDF Anything But Real Time Premiere LSO Soundhub Atea Quintet Brighton Festival

    Original URL path: http://www.aaronhollowaynahum.com/tag/berlin-philharmoiker/ (2016-02-08)
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  • January » 2012 » aaronhollowaynahum.com
    14 2012 11 00 am to 4 00 pm No Comments Events Latest News Remember Me Part IV Performances Remember Me Part IV Premiere AIDF Anything But Real Time Premiere LSO Soundhub Atea Quintet Brighton Festival Event Calendar Dec Feb January 2012 M T W T F S S 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21

    Original URL path: http://www.aaronhollowaynahum.com/?m=201201&cat=3 (2016-02-08)
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  • February » 2012 » aaronhollowaynahum.com
    Performances Tagged Benjamin Britten Darren Bloom London Symphony Orchestra Mark Simpson Paul Silverthorne Soundhub Sonata World Premiere February 27 2012 8 00 pm to 9 00 pm Aaron s work Sonata for 3 bass clarinets Eb clarinet percussionist and timpani resonance will be premiered on 27th February at 8 00pm in the Music Hall of the Guildhall School of Music Drama The piece will be played once there will be

    Original URL path: http://www.aaronhollowaynahum.com/?m=201202&cat=3 (2016-02-08)
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