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  • www.barbara-lueneburg.com
    Katarina Michelitsch Enjoy excerpts of Alias for electric violin electronics light and laser by Marko Ciciliani part of the DVD Weapon of Choice on label Ahornfelder Barbara Lüneburg s special merit is her determination to find her own particular ways through the beaten paths of the musical landscape She does not deny her classical education but divides her passion between everlasting masterworks yet unraised treasures of the modern repertoire and

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  • www.barbara-lueneburg.com | biography
    versatility and high standard of her performing abilities Critics have described her playing as viciously virtuosic passionate translucent of an amazing capacity for purity of sound and integrity of pitch detailed and nuanced expressive and gripping Her first solo CD The Refined Ear label coviello classics received international acclamation Weapon of Choice her solo DVD with multimedia works was released in 2011 at label Ahornfelder International reviews speak of a groundbreaking production Her latest solo CD Beyond with works by Johann Sebastian Bach and Giacinto Sclesi got five stars from BBC Music Magazine Juxtaposing late Baroque contrapuntalist and 20th century spectralist may seem audacious but a focus on timbre proves it logical BW As a soloist Barbara has performed with groups as diverse as SWR Radiosymphonic Orchestra Xenakis Ensemble Netherlands Slagwerkgroep Den Haag ASKO Ensemble Landesjugendorchester Hessen and Rheinland Pfalz Pfalztheaterorchester Kaiserslautern or Schwerin Philharmonics Her touring schedule has taken her through Europe both Americas the Middle and Far East to major festivals such as Huddersfield Contemporary Music Festival Aldeburgh Festival GB Wien Modern AT Tongeyong Festival Korea Roaring Hooves Mongolia Cervantino Festival Mexico Music Marathon Chicago USA Fadjr Festival Iran Donaueschinger Musiktage Munich Biennial and Schleswig Holstein Music Festival Germany In 1992 ago Barbara Lüneburg founded ensemble Intégrales 1992 2012 She remained its artistic director throughout The group enjoyed an international reputation as one of the foremost ensembles for non conducted chamber music In 2008 they were awarded the annual prize of the Oscar and Vera Ritter Stiftung Hamburg for their continuous outstanding work Barbara was awarded a doctoral degree for her research on the topic of A holistic view of the creative potential of performance practice in contemporary music includes theoretical and practical work on creativity and collaboration programming and concert aura For this research alone she commissioned

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  • www.barbara-lueneburg.com | Über die Künstlerin
    mit dem Deutschlandfunk und dem ZKM Karlsruhe Frans de Waard schrieb darüber in Vital Weekly Mai 2011 Eine exzellente Darstellung von Musik und Visuals der irische Komponist Ed Bennett setze sie 2011 in seiner Liste für die Zeitschrift Grammophone auf die Top 10 der besten zeitgenössischen Produktionen der letzten Jahre und in klassik com wurde sie als Maßstäbe setzend beschrieben Ihre Solo CD The Refined Ear bekam international exzellente Kritiken und wurde von klassik com als eine der besten Neuerscheinungen des Jahres 2006 ausgezeichnet Ihre jüngste Solo CD mit Bachs d moll Partita in Zusammenarbeit mit dem Deutschlandfunk und dem Label coviello class i cs wurde vom BBC Music Magazine mit 5 Sternen ausgezeichnet und als kühn beschrieben Andere Kritiker sprachen von einem musikalischen Kosmos und einer Wanderung durch die Höhen und Tiefen der menschlichen Seele Als Solistin und Kammermusikerin ist Barbara Lüneburg international tätig mit Konzerten auf Festivals wie dem Bodenseefestival Schleswig Holstein Musikfestival den Berliner Festspielen und Donaueschinger Musiktage D dem Huddersfieldfestival GB den Bregenzer Festspielen Avantgarde Tirol oder Wien modern A den Weltmusiktagen in Korea 2002 der Gaudeamus Week und Rumor Festival NL Radar Festival und Cervantino Festival Mexiko Roaring Hooves Mongolei Fadjr Festival Iran und Crossing Borders USA sowie Solokonzerten beispielsweise in Österreich Deutschland England Slowenien Kroatien Großbritannien Irland Italien Zypern Polen oder den USA Barbara Lüneburg war künstlerische Leiterin von ensemble Intégrales das in den fast zwanzig Jahren seines Bestehens international als eines der führenden deutschen Ensembles für undirigierte zeitgenössische Kammermusik gefragt war Darüber hinaus war sie Primaria des Zephyr Quartetts Amsterdam An der Brunel University London promovierte sie über das Thema A holistic view on the creative potential of performance in contemporary music und behandelt dabei theoretisch und in der Praxis Themen wie Kreativität Kollaborationen zwischen Komponisten und Interpreten Charisma Bühnenpräsenz und Konzertaura Für

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  • www.barbara-lueneburg.com | news
    Archive press reviews repertoire teaching workshops cd productions links Homepage start blog Link zur deutschen Site Upcoming concert 24 1 2016 17 hrs Ultraschallfestival Berlin Radialsystem Multimedia Soloconcert with works by Barbara Lüneburg WP Marko Ciciliani Louis Aguirre Karen Power WP and Yannis Kyriakides 25 1 2016 20 hrs Alte Papierfabrik Graz Austria Final presentation of the course Undoing Gender concept Barbara Lüneburg at the University of Music and Performing

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  • Barbara Lüneburg | concert agenda
    10 9 2014 11 9 2014 13 9 2014 NZ Wellington 3 solo recitals with works by Johann Sebastian Bach Salvatore Sciarrino Marko Ciciliani Michael Norris Yannis Kyriakides and student works from the workshop with the composition class of Michael Norris 19 9 2014 Ro Bukarest Innersound Festival Duo concert with Reality Check works by Sabina Ulubeanu Daniel Mayer and Leopold Weiss 21 9 2014 A Tirol Klangspuren Schwaz Duo concert with Reality Check works by Karlheinz Essl and Anselm Schaufler 26 9 2014 A Wien European Researchers Night Aula der Wissenschaften Premiere of the collaborative composition What if we had wings for violin soundtrack live electronic and video by Cathy van Eck Anthony Kelly Barbara Lüneburg David Stalling and the what if community of the participative arts project Transcoding What if 3 6 10 2014 Ireland Dublin Collaborational meeting with Cathy van Eck Anthony Kelly and David Stalling further compose What if 22 10 2014 A Klosterneuburg Essl Museum Duo concert with Reality Check premiere of my composition Soundwaves for electric violin and soundtrack based on synthesizer and acoustic violin sounds 31 10 2014 A Wien Another Festival Multimedia solo performance with Formula minus One by Marko Ciciliani and Soundwaves by Barbara Lüneburg 6 11 2014 A Festival Wien modern Multimedia solo performance with Formula minus One by Marko Ciciliani and Soundwaves by Barbara Lüneburg Interview partner on the topic of underground and audience development 9 11 2014 NL Nijmegen Galerie Marzee Solo concert with works by Steve Reich Philip Glass Manfred Stahnke and Yann Robin 15 11 2014 D Hamburg Festival Greatest Hits Kampnagel Solo performance with Capra by Manfred Stahnke 5 12 2014 A St Pölten Infoday of the UAS St Pölten Presentation of the participative arts project Transcoding What if 2013 Wednesday 20 2 2013 19 Uhr A Wien Alte Schmiede Schönlaterngasse 11 Festival Gemischter Satz Duo concert with Martin Mallaun zither at the festival Gemischter Satz featuring premieres by Leopold Hurt and Thomas Wally 8 3 2013 18 and 20 Uhr GB Birmingham Frontiers Festival Recital Hall Birmingham Conservatoire Concert with Decibel ensemble premiering new students works Monday 11 3 2013 20 Uhr GB London Kings place 90 York Way London Premiere of the violin concerto by Ed Bennett with Decibel ensemble Tuesday 12 3 2013 19 30 GB Birmingham Frontiers Festival Recital Hall Birmingham Conservatoire Soloist of the violin concerto by Ed Bennett with Decibel ensemble and Daniele Rosina conductor Sunday 17 3 2013 16 hrs NL Nijmegen Galerie Marzee Duo concert with Martin Mallaun zither featuring works by Anselm Schafler Leopold Hurt and Cornelius Cardew Saturday 27 4 2013 18 hrs A Mittersill Kofomi Borg Lou Malozzi For the record for amplified bow and violin Tuesday 11 6 2013 A Graz IEM Talk at IEM Graz on Undoing Gender from Highbrow Art to Participatory Culture 16 21 7 2013 Irland Hilltown New Musik Festival Solo recital Beyond with works by Johann Sebastian Bach and Scelsi and performance of a first draft to Undoing

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  • barbara-lueneburg.com | research
    and as a final step by generating an audiovisual installation that will reflect on and evaluate the artistic and scientific results as well as the contributions of the community putting it together to an interactive artwork that can exist and travel independently from any performing artist first exhibition planned at University of Applied Science St Pölten By offering participatory culture via web 2 0 as part of our arts project we invite to speak out share a discourse and take influence on the approaching art project Through these online platforms we hope for input across boundaries that will show its influence in the second and third step of the project Our starting point will be the blog www what ifblog net In this project practice based arts research is not just about the artistic process reaching into new contexts We apply findings and theories from media sociology to an artistic process and investigate their applicability and meaning in the arts The commonly hierarchic relationship artist and audience community will be defined to one of permeability and mutual influence We hope to raise interest in participation in art as a way to express one s identity and achieve personal empowerment and to further a sense of their belonging to a peer group by participating in an arts project Please click here for more information about our key research question TransCoding is funded by the Austrian Science Fund FWF as project PEEK AR 259 G21 PhD thesis A holistic view of the creative potential of performance practice in contemporary music Click here for the full thesis Topics for Talks Charisma and Stage Pre sence What defines a meaningful collaboration with examples from practice The use of violin viola or electric violin in an electro acoustic context Creativity in Performanc e Collaboration Abstract of my PhD Thesis The creative potential and work of the performer in new music extends from the moment of conceptualising a concert to the moment of presenting it on stage and comprises many areas between and around those two points In my thesis I explore the nature of this activity from the act of playing itself to the commissioning and creating of new pieces curatorial and collaborative tasks and the actual concert presentation I deliberately include interrelations between performer and music promoters composers and the audience This leads me to further areas of investigation namely the question of the performer s leadership the charismatic bond with the audience and the creation of what I call concert aura I do not strive to offer all purpose formulae for the perfect concert or for the ideal collaboration I investigate performance practice not as an absolute art but rather as something embedded in and shaped by social relations and society Accordingly I understand my thesis as an empirically based study of the questions performers could ask as well as processes in which they might want to engage to find meaningful solutions for each new situation Not all of the questions I raise

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  • Barbara Lüneburg | improvisation
    such as Fred Frith USA e guitar Jaap Blonk NL voice Marko Ciciliani Croatia no input mixer Anne La Berge USA flute and electronics Cor Fuhler The Netherlands analogue electronics Yannis Kyriakides UK laptop amongst others at the Holland festival the Gaudeamus Festival or the Dutch cult series Kraakgeluiden in de Binnenstad Amsterdam At the Munich Biannual 2002 Barbara Lüneburg played as an internet soloist together with seven other artists

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  • www.barbara-lueneburg.com | composing
    and live video with Sascha Demand for Blenden for two electric violins and soundtrack using prepared violins and the cycle A journee of three compositions she has created together with the duo David Stalling Anthony Kelly A journee a way into a place viola soundtrack splitted video images 2010 possible flightpaths violin two improvisers on analogue gadgets soundtrack and video 2011 inner self violin record player video lighting loudspeakers 2012 All premiered at Hilltown New Music Festival in the years 2010 11 12 Soundwalk 2013 Favoriten Wien short morning walk in early summer from Columbusplatz to the new main station back to Favoritenstrasse via supermarket Hofer finishing at Columbusgasse at the corner of Columbusplatz 7 30 hrs Columbusplatz We start the soundwalk at Laxenburger Strasse at the corner of Columbusplatz next to Hotel Kolberg We hear a busy street the tramway and as a special acoustic signal the Tack Tack Tack of the traffic lights The light signalling rhythmisizes the traffic If the weather is fine guests of hotel Kolberg have their breakfast in front of the building on the square We might hear the sounds of a foreign language Scandinavian Japanese English Often the flags that frame the entrance to the parking garage strike against their posts If you close your eyes you could imagine to be in a seaport gulls are missing though We pass Hotel Kolbeck and walk towards Columbuscenter There we turn left into Favoritenstrasse Wir kommen an zwei Cafés vorbei die erst ab 11 Uhr vollbesetzt sein werden dann hört man viele Unterhaltungen auf Serbisch da Favoriten eine Sammelbecken für viele Ex Jugoslawier ist An acoustic keynote of the square is the fountain that runs for hours in the summer heat It is the main attrction for Turkish Serbian and Austrian speaking kids From noon on they jump through it shouting shrieking and splashing about We turn left into Favoritenstrasse which here is still pedestrain zone leaving the traffic noise behind us From Favoritenstrasse we take the first turn to our right and walk into a quiet alley Reisingergasse 7 40 hrs Reisingergasse The Reisingergasse leading us to the new main station is a quiet hardly frequented side alley Still we experience a typical sound of Vienna namely the wind swooshing along our ears Reisingergasse is a wind channel 7 55 Main station entrance hall and platform 9 With a little luck we will hear how passengers pull their suitcases on roles across the indentations that are guides for blind people It makes a rattling rhythmic noise On platform 9 trains come in we listen to the female voice with aslight Austrian accent announcing places from around Vienna sterring memories and images from visits to Eastern countries such as Slovakia Bratislava The station is still in the state of building On the opposite platfrom workers converse in rough dialects or shout in Trukish Croatian Sebrian Slovakian Hungarian language Leaving the station we turn into Johannitergasse that leads us back to Favoritenstrasse 8 10 Johannitergasse no

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