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  • Pallasades 05-01-01 - Beat Streuli
    11 Nevsky Prospect 11 Border Lines 11 Cars 10 Road Works I 10 Manhattan 09 09 Ramblas 09 Rue Neuve 08 Porte de Ninove 07 08 Hits Stills music Ch Gallio 06 Porte de Flandre 05 Sharjah 05 Actors schauspielfrankfurt 04 Praza de Galicia August 03 Venice Beach 09 20 03 8th Ave 35th St November 02 NYC 01 NYC 02 8th Ave 35th Street 06 02 Pallasades 05 01

    Original URL path: http://www.beatstreuli.com/pallasades-05-01-01.html (2016-02-15)
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  • Broadway / Prince Street 04-01 - Beat Streuli
    Lines 11 Cars 10 Road Works I 10 Manhattan 09 09 Ramblas 09 Rue Neuve 08 Porte de Ninove 07 08 Hits Stills music Ch Gallio 06 Porte de Flandre 05 Sharjah 05 Actors schauspielfrankfurt 04 Praza de Galicia August 03 Venice Beach 09 20 03 8th Ave 35th St November 02 NYC 01 NYC 02 8th Ave 35th Street 06 02 Pallasades 05 01 01 Broadway Prince Street 04

    Original URL path: http://www.beatstreuli.com/broadway-prince-street-04-01.html (2016-02-15)
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  • Shinju-ku 01-05-99 - Beat Streuli
    Screen 12 Road Works II 11 Nevsky Prospect 11 Border Lines 11 Cars 10 Road Works I 10 Manhattan 09 09 Ramblas 09 Rue Neuve 08 Porte de Ninove 07 08 Hits Stills music Ch Gallio 06 Porte de Flandre 05 Sharjah 05 Actors schauspielfrankfurt 04 Praza de Galicia August 03 Venice Beach 09 20 03 8th Ave 35th St November 02 NYC 01 NYC 02 8th Ave 35th Street

    Original URL path: http://www.beatstreuli.com/shinju-ku-01-05-99.html (2016-02-15)
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  • All excerpts of 15-30 min. videos - Beat Streuli
    Zara 12 Road Works Single Screen 12 Road Works II 11 Nevsky Prospect 11 Border Lines 11 Cars 10 Road Works I 10 Manhattan 09 09 Ramblas 09 Rue Neuve 08 Porte de Ninove 07 08 Hits Stills music Ch Gallio 06 Porte de Flandre 05 Sharjah 05 Actors schauspielfrankfurt 04 Praza de Galicia August 03 Venice Beach 09 20 03 8th Ave 35th St November 02 NYC 01 NYC

    Original URL path: http://www.beatstreuli.com/all-just-excerpts.html (2016-02-15)
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  • New Street 13 - Beat Streuli
    Navigation überspringen Installations Images Time Based Media Recent Series Information Navigation überspringen Castellon Portraits 13 New Street 13 Transit 11

    Original URL path: http://www.beatstreuli.com/new-street.html (2016-02-15)
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  • Transit 11 - Beat Streuli
    Skip navigation Installations Images Time Based Media Recent Series Information Skip navigation Castellon Portraits 13 New Street 13 Transit 11

    Original URL path: http://www.beatstreuli.com/miscellaneous-80-x-115-cm-11.html (2016-02-15)
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  • Solo Shows - Beat Streuli
    s Musée des Arts Contemporains Grand Hornu cat Jordan Festival Petra Baltic Sage Gateshead 2007 Galerie Eva Presenhuber Zurich Galerie Conrads Düsseldorf Museum der bildenden Künste Leipzig 2006 Bunkier Sztuki Krakow cat Dogenhaus Galerie Leipzig Galerie Wilma Tolksdorf Berlin Murray Guy New York University Gallery University of Massachusetts Amherst Galerie Erna Hecey Brussels 2005 MKgalerie Rotterdam RWE Tower Museum Folkswang Essen cat 2004 Jablonka Galerie Cologne Roberts Tilton Gallery Los Angeles LACE Los Angeles 2003 Galerie Conrads Dusseldorf Galerie Erna Hecey Luxembourg 2002 Palais de Tokyo Paris Hauser Wirth Presenhuber Zurich Centre photographique d Ile de France Paris Pontault Combault Galerie Conrads Düsseldorf Murray Guy New York Galerie Anne de Villepoix Paris Galerie Christian Drantmann Brussels 2001 Dogenhaus Leipzig Galerie Wilma Tolksdorf Frankfurt Galleria Massimo Minini Brescia 2000 Stedelijk Museum with Gabriele Basilico Amsterdam cat Galleria Civica d Arte Moderna e Contemporanea Torino cat 1999 Museum of Contemporary Art Chicago Kunsthalle Düsseldorf and Kunsthalle Zurich cat Galerie Meyer Kainer Vienna Sprengel Museum Hannover Hannover cat Yumiko Chiba Associates Tokyo cat Spiral Art Center Tokyo Al Ma mal Art Foundation East Jerusalem Dvir Gallery Tel Aviv 1998 Museu d Art Contemporani Barcelona Galerie Anne de Villepoix Paris Galerie Hauser Wirth 2

    Original URL path: http://www.beatstreuli.com/solo-shows.html (2016-02-15)
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  • Raymond Bellour - Beat Streuli
    with forms and forces a plastic force at work in each image and from one image to the next bearing witness for humanity to its elementary beauty its elementary reality its endless variations It is also too simple to just compare these lacunae between photographs to the continuities inherent in the video works since these works are seen on anywhere from one to three screens thus showing between their respective continuities lacunae of a different sort which may however seem analogous In an interview the last section of which is entirely devoted to ideas ofintervals of between of interventions and intermediaries Streuli says this about his slide projections Above all they allow me to work on the borderline between the static and the cinematographic image This pivotal position makes one fully conscious of the structures inherent in the two media what s more the succession of images reveals by indirection the spaces that surround my characters the actors of my photographs and it emphasizes the intervals that slip between two movements two moments suspended in time 4 The effectiveness of such research is that the borderline never stops changing its level of reality or its domain of application depending on the medium adopted in turn and on the variations in the dispositif 5 that each medium privileges This is where the complications of Streuli s work reside beneath its veneer of apparent simplicity To such a point that the image that seems the most appropriate for trying to bring together in one place the various aspects of his art would be that of the sea as it is both inconceivable for the mind s eye and resistant to the perceiving eye an image in which each wave forming within other waves would be immobilized in its turn through the use of a freeze frame or accompanied in its slow motion so that another wave may come into being uniformly and indefinitely How can one try to accompany and express the effect of this wave of humanity compiled by La Voie publique where one may recognize at least two characters from an earlier installation but seen from a slightly different angle The first thing to notice is the length of the composition and the time it takes for an average gaze to assess its scale more than 100 meters which means enough time to forget little by little what one has already seen enough time to feel the desire to go back and get a better sense of the details So much so that the memory of space never stops converting itself into a memory of time A stratified confused time constantly turning back onto itself for it is above all the flâneur s time the work itself having no time of its own as one can traverse it first in one direction then in the other This arrangement is typical of Streuli s work a series laid out lengthwise But never apparently with such a mixture of purity and excess Previously a surprising installation designed in 2008 in the Jordanian desert stretched itself out over 160 meters but the images all attached to each other were also stacked in two layers giving the confused impression of a crowd more than a procession Similarly for an exhibition at the Grand Hornu in Belgium 2008 one of the installations layered six strata of images from floor to ceiling on a wall 44 meters long In all the variety of dispositifs that Streuli has adopted based on the site and on his inclinations none has ever shown such a linearity as that seen in La Voie publique of a sort comparable to a film as one walks by the outlines of its frames one thinks invariably either of train windows or of a strip of film images The second thing that strikes an attentive passerby is precisely that the distribution of figures inside 57 light boxes 164 centimeters wide and 326 centimeters high each outlined by their frame Their progression is punctuated by the insertion of 12 narrower light boxes 81 5 centimeters wide uniformly gray spread out at unequal intervals along the total length of the work in the station s architectural scheme these light boxes are supposed to light up in turn to indicate the presence of a train on the tracks symbolized by 12 colors Conceived in this way the dispositif makes it possible for the relationship between the 57 light boxes into which the 35 figures are introduced to present itself in consistently unexpected ways one where each of the figure bodies occupies only one light box another where it encroaches upon a second and a third where two figures taken together match up in various ways within two light boxes Or yet another way where three light boxes are associated in two sets one set showing a group of people moving forward seemingly forming a mass the other apparently showing a motionless couple The succession of these two series thus opens a space that is suddenly more continuous within the overall discontinuity all the more so in that the direction of the gazes and the positions of the bodies in the first series seem to suggest a fictional acknowledgment by the man in the white shirt of a young woman in red who seems to be standing before him in a preceding frame The third effect is thus due to the carefully arranged variations between the bodies Variations of postures gestures gazes colors of everything that a particular bearing in the way that Balzac understood it conveys of the physiognomy of the body He also wrote Every movement has an expression that belongs to it and that comes from the soul 6 As materialist as Streuli s art may be these are unquestionably emanations from body souls communicating in this way with each other with their enduring and specific human signature What is unique to La Voie publique is that these forces are organized more than usual according

    Original URL path: http://www.beatstreuli.com/raymond-bellour.html (2016-02-15)
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