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  • Toronzo Cannon's star rises, signs with Alligator Records, interview with blues artist Toronzo Cannon
    you might not see in yourself being a little different in how you present your Blues to the people and a little talent and hard work Toronzo gets the crowd going at Chicago Blues Fest 2015 photo Jennifer Noble Q You seem to lead a double life judging by your many Facebook posts of your daily activity How do you manage to balance both worlds bus driver by day vs bluesman by night Not to mention being a family man Yeah I don t do the drive bus all day play blues all night thing That s dangerous for myself and my passengers and livelihood My gigs are planned out so I won t suffer I can give the people a good show and I can still work safely And my family knows what daddy gotta do I still have time to do family stuff Q You have posted on social media about some mighty strange things that have happened on your bus route What was the weirdest incident so far that you have witnessed Seeing two obvious grandmothers fight for a seat and the police made them apologize cause he didn t want to arrest them And you get the occasional knife recovery situations and people shooting heroin on the bus Other than that it s a normal day in the city Q How many years have you been working for the CTA Are you still a full time driver After putting in so many years as a driver you must have accrued a lot of vacation time so you can travel overseas to perform I got 22 years with the company and yes I use my vacation time for my overseas gigs Toronzo at the Temple of Garnia in Armenia Q Do you hope to tour more often Can you retire from your day job anytime soon Yes I would love to do more touring I got four years to go before retiring Q Where do you see yourself in five years time Doing my thing it would be easier without the day gig but I got to do what I got to do to do what I wanna do Q You had the honor of performing on the maiden voyage of the European Blues Cruise last year which CBG covered And you have been asked back for this year s cruise Please tell us about some of the other glamorous gigs or exotic countries where you have played the blues Wow Armenia three times in 13 months Brazil France Spain Sweden Germany Belgium Holland Amsterdam Mexico London South Africa thanks Liz They all have different flavors and are beautiful in their own right Most of these gigs I did in a period of 20 months so it was a whirlwind of travel Very cool feeling to be wanted to play in these countries And I got some more to go yet Toronzo s selfie at the Eiffel Tower Q How do foreign audiences react to your music

    Original URL path: http://www.chicagobluesguide.com/features/toronzo-interview/toronzo-interview-2015-page.html (2016-02-15)
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  • Blues on the Fox 2015, live concert review by Linda Cain, photos by Jennifer Noble, Roman Sobus
    the drums and Luther playing guitar But throughout the night they moved about the stage traded places and performed on a dizzying array of instruments producing an equally dizzying blast of diverse sounds For instance Cody grabbed his washboard and came to the front of the stage This was no ordinary laundry device it was a rigged up electric model which Cody attacked with pointed steel finger picks and presumably effects pedals to produce all manner of amusing reverberations as the crowd cheered him on Cody chanted in a North Mississippi hip hop style and the crowd sang back as the band played swirling circus rock music behind him Cody then grabbed a guitar and played an Allman Brothers style twin guitar duet with his brother Bassist Oteil switched to the drums for this Southern rock jam which the overall audience cheered for the loudest Cody Dickenson photo Roman Sobus Cody went back to playing drums as Luther performed on slide guitar sounding a bit like Duane Allman playing and singing in the mellower traditional blues style on Let It Roll The Allstars don t stay laid back for long as the rhythm section kicked it into higher gear for a gospel march beat Luther played a Robert Randolph influenced sacred steel guitar slidin frenzy that got the crowd on its collective feet dancing Luther Dickenson photo Roman Sobus Luther slowed things down again for the next song which he dedicated to Buddy Guy B B King and Elmore James He played slide sublimely and made his guitar sound like it was talking Clearly he was sharing a conversation with us The crowd cheered his virtuosity The mood changed again as Oteil took a bass solo this was followed by a jazzy bass and drum solo that meandered into Grateful Dead space rock territory for a trippy segment Luther kicked in shredding his guitar for a psychedelic solo The band then joined in on a John Lee Hooker style boogie as Luther sang My Eagle Bird The Allstars then converted themselves in to a marching band as Cody and Luther strapped on drums and sashayed into the crowd Luther banged on a huge bass drum and Cody followed beating the tom toms as the place went nuts Luther Dickenson photo Jennifer Noble Back up on stage Cody asked the musical question Granny does your dog bite and his partners answered by playing some R L Burnside trance boogie which led into a medley of blues folk and gospel styles all backed by the big beat It was a jammin good finale that finished up at 10 30 p m as the fans screamed for more As evidenced by tonight s show North Mississippi Allstars have taken the term jam band to a new level Once you unscrew the top from this musical Mason jar of sweetly fermented fruit get ready for a burst of improvisational flavors you never before imagined NMS are transforming their native hill country blues into an exciting modern sound thus drawing in younger more diverse audiences around the world Saturday June 20 Afternoon Evening show s MORELAND ARBUCKLE L to R Dustin Arbuckle Aaron Moreland Kendall Newby photo Roman Sobus Kansas natives Aaron Moreland and Dustin Arbuckle plus drummer Kendall Newby were a delightful act to open the festival s second day With sunny blue skies above to greet the fans upon arrival the trio welcomed us with a Bo Diddley beat The trio s rendition of Mona on cigar box guitar harp and drums was just right for afternoon downhome blues The band s between song chats to the crowd showed them to be charming regular guy Midwesterners we could relate to For the next couple numbers Moreland played bass notes on his cigar box axe that got our heads boppin to a John Lee Hooker style boogie Arbuckle caressed our ears with his harmonica mastery as he played an instrumental version of a Little Walter song accompanied by Moreland on a Les Paul a breezy upbeat shuffle The harp blower slowed down then quieted the band momentarily The band then launched into a solid Chicago blues for Too Many Women and the fans stood to applaud their approval The trio knew they had us after that The next couple songs were a departure done up in catchy classic rock style tunes clearly designed for radio airplay The songs were tasteful not bombastic and featured Arbuckle s smooth spot on singing and Moreland s catchy guitar hooks For the rest of the show it was back to the blues with songs that really got the fans pumped up a song about whiskey and women featured Moreland again on the cigar box guitar followed by a splendid rendition of Tom Waits Heart Attack Vine that was rewarded with a standing ovation The classic John Henry was given a drivin blues boogie accented by Arbuckle s thrilling harmonica trills The drummer soloed and the band jammed the crowd stood clapped and cheered the chuggin rhythms and wailin harp that closed out this trio s wonderful opening set Moreland Arbuckle were sent off with a well deserved standing ovation OTIS TAYLOR photo Jennifer Noble Otis Taylor has been labeled as a blues iconoclast But the enigmatic multi talented musician from Boulder by way of Chicago where he grew up prefers his music to be categorized as trance blues In fact he has created an annual Trance Blues Festival held in Boulder Colorado that features all ages and skill levels jamming together and creating musical diversity Taylor s new CD Hey Joe Opus Red Meat is on his new indie label Trance Blues Festival Records Yet to define the sounds that Taylor creates as merely trance blues does him a disservice as evidenced by his brilliant afternoon show that expanded and explored musical realms far beyond the limits of words and labels Taylor was backed by violinist Anne Harris special guest guitarist Mato Nanji from Indigenous along with bassist

    Original URL path: http://www.chicagobluesguide.com/reviews/live-reviews/blues-on-the-fox-2015-review/blues_on_the_fox_2015_review_page.html (2016-02-15)
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  • LIVE REVIEW: Chicago Blues Festival 2015, June 12-14, Grant Park, Chicago, IL
    the poor not getting their fare share Shemekia then switched gears to play a traditional slow sad blues song Married To The Blues which built to a crescendo as the vocalist pulled out all the stops to belt out the final verse then it was back to her quiet voice to end the tune with a dramatic flair Lord have mercy this woman can sing photo Jenn Noble The superb singer hit us with more social commentary served up gospel style on Somebody Else s Jesus followed by the haunting tale of an abused woman in Ain t Gonna Be Your Tattoo Then it was time for some booty shakin with Pie in the Sky a danceable upbeat song penned by her father that featured some wailin slide guitar by Arthur Nielson and got the crowd singing along Shemekia dedicated her next song to the late Koko Taylor She got the fans clappin along as the bass thumped to a loping Wang Dang Doodle type of beat on Has Anybody Seen My Man from her debut Turn the Heat Up She finished the tune with a Koko inspired wail And then she exited the stage The two guitarists Arthur Nielson and Willie Scandlyn took over playing a lively instrumental number Shemekia returned to sing the spooky murder tale Never Going Back To Memphis and then the gospel stomper Big Brand New Religion Just then the rain started but Shemekia soldiered on as the umbrellas came out She belted out her father s poignant tale of poverty Ghetto Child singing off mic at times keeping the soggy fans mesmerized And then she asked her final question of the night It s 2 a m do you know where your baby is Shemekia left us with a rocker to end her very satisfying and diverse set No matter what style of music she chooses Shemekia injects it with the blues Whether she applies her awesome vocals skills to a ballad or a rocker Shemekia is first and foremost a blues singer BUDDY GUY photo Jennifer Noble The rain continued to come down and lightning in the distance was visible So Buddy s 8 05 p m show time was put on hold until the coast was clear After about a 20 minute wait Buddy hit the stage with a vengeance as his stinging guitar notes called the crowd back to the Petrillo pavilion like a pied piper His powerful voice heard across the park shouted out You damn right I got the blues and a sea of umbrellas re appeared to answer his call Buddy gestured and shook his fists as if to defy the weather Buddy s famous guitar intro to Five Long Years was met with cheers of recognition as the 78 year old bluesman simply belted out the story about an ungrateful woman who had the nerve to put me out It seemed as if his guitar was on fire he played and sang with such a passion The guitar hero dedicated the next number to the hardy souls who stayed out in the rain to see him and he kicked off a simmering version of the standard Fever Ironically he next played John Hiatt s tune Feels Like Rain putting his own twist on the melodic ballad that had us thinking rain no duh Then it was time for Buddy to pay tribute blues legends of the past B B King had passed away a month prior on May 14 Buddy talked about his friendship with the blues legend and how he attended the memorial services for B B in Indianola Mississippi He then played a heartfelt version of an early hit by The King of The Blues Sweet Sixteen and surely touched some souls He followed by playing snippets of songs with famous guitar riffs by John Lee Hooker Cream and others Buddy switched to acoustic guitar for Ray Charles What d I Say and got the audience singing along like the Rae lettes from under their umbrellas Buddy went back to his electric guitar for the title track of his 2008 CD Skin Deep Normally he likes to play a sitar guitar on this number but instead he shredded on his Fender for a solo he generously gave solos to his band guitarists son Greg Guy and Ric Hall Keyboard whiz Marty Sammon also was given a chance to strut his stuff during the show Buddy Greg Guy photo Jennifer Noble Buddy didn t quite finish this touching message song about racial equality when he switched gears and started talking about British blues rockers and Jimi Hendrix He then went into a medley of guitar riffs from Voodoo Chile which he played one handed and Sunshine of Your Love He employed some showy special effects played behind his back and rubbed the guitar on his tushy for effect His skilled backup players The Damn Right Blues Band kept up with Buddy s antics and the crowd cheered him on The rain stopped just in time for Buddy to switch guitars for the final number a funky version of Meet Me in Chicago a fun ode to tourism in the Windy City from his 2013 CD Rhythm Blues Buddy mentioned earlier that he had made a promise to B B King and also to Muddy Waters to keep the blues alive He always has acted as a mentor to young blues artists and encouraged new talent As evidenced by the talent who shared the stage with him that night Buddy can rest assured that the future of the blues is in good hands with artists like Shemekia and Toronzo DAY 3 Sunday June 14 Petrillo Music Stage Celebrating Centennials BILLY BRANCH SONS OF THE BLUES with EDDY THE CHIEF CLEARWATER RONNIE BAKER BROOKS L to R Billy Branch Eddy Clearwater Ronnie Baker Brooks photo Roman Sobus It s often impossible to make it to the Petrillo Stage for a 5 p m start time when there are

    Original URL path: http://www.chicagobluesguide.com/reviews/live-reviews/chicago-blues-fest-review-2015/chicago-blues-fest-2015-review-page.html (2016-02-15)
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  • Israel's Lazer Lloyd: Not your usual blues-rock guitarist
    maintain ed contact with and one day this person just told her that she had started working for this blues record company From the first time Kenny heard my music he felt it was a great thing and from the first time we met we fell in love as real brothers Besides the music we both share a deep spiritual connection and obviously his story is more apparent than mine but both of us have gone through serious challenges in life and have chosen not to buckle yet to help strengthen others When we are playing together I don t know how he knows when I m going to stop and when I m doing things on the stage but he has an extra sense that I ve never seen Kenny is truly an amazing musician and person Q On the song Rockin in the Holy Land off your new album you talk about how you began playing in Israel in the first place What do you think about being given the title Israel s King of the Blues What is Israel s blues scene like and how have you tried to nurture it LL I really don t like the title because for sure I would never call myself the king and I don t consider myself only from Israel or as representing that I m just Lazer I just happen to be here and connect to many things spiritually that are here and the people but I connect to many things spiritually around the world and learn and am inspired by many people around the world but that s the way the newspapers and media started doing it so certain things you just have to roll with it Humility is the name of the game and what we are striving for and what you see in the real blues people but I can t complain too much because it stands out and has let myself be heard I guess The blues in Israel is really starting to be something serious many Israeli artists had included elements of it into the music but now you have the blues being mixed with different Middle East sounds I like to do that for a little bit in concert too People are now understanding after all the noise and electronics and aggressive arrogant music that has plagued the last 25 years that with simplicity and heart you don t need all those masks to feel something Q I understand that you walked away from an Atlantic Records deal in choosing to go to Israel Do you have any regrets about the decision you made LL Well we need to set the record straight and people in the press like to tell it as they would think it makes the best story I had a showcase with Atlantic Records and they were interested in me and had me make more demos I was meeting with Toby Moffett from the A R department and

    Original URL path: http://www.chicagobluesguide.com/features/lazer-lloyd-interview/lazer-lloyd-interview-page.html (2016-02-15)
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  • Here Comes Shuggie Otis: Again and Again, Musical prodigy and heir, the son of late legend Johnny Otis, Shuggie's early music influenced the likes of Prince and Lenny Kravitz. Always ahead of his time, the multi-talented artist has been rediscovered by generations of fans and has been hitting the comeback trail.
    to hear Shuggie tell it at one point he was working a few non musical day gigs In the meantime Inspiration Information became a bit of a cult favorite audibly influencing the music of Lenny Kravitz and Prince In 2001 David Byrne reissued this overlooked platter on his own Luaka Bop label adding a few extra songs from Freedom Flight From here the comeback slowly began with appearances on David Letterman and Conan O Brien s late night talk shows While he is said to be putting the finishing touches on an album of all new material in the meantime he has been performing regularly bringing his incendiary psychedelic soul blues rock mix to the public He last appeared in the Chicago area two years ago at Lincoln Hall On July 17 2015 he returns to Chicago this time at City Winery We caught up with him recently via e mail and here s what he had to say Q Your father enjoyed a long and illustrious career He was so successful and multi talented in many different aspects of the music and media worlds He got you involved at a young age Were you intimidated by the prospect of following in Dad s very large footsteps Or were you totally confident in your own talent and prospects for a successful career of your own Shuggie No to first question Yes to second Q You were only 12 when you started playing with your father s band and you had to wear a fake mustache and try to look much older to get into the clubs What was that experience like What lessons did you learn from the elder musicians at that time Some of them were quite famous Shuggie I never wore the fake mustache This was a deliberate deception which was exclusively designed by my father to add to the amusement of a teenager wearing disguises to mask his age so as not to be noticed as a child playing on stage in nightclubs I did wear the black shades though What an interesting experience living my early musical years in such a beautiful gift of light and beautiful dark but viewing it solely in darkness My first solo album Here Comes Shuggie Otis includes a dialog by me telling stories about my first gigs Actually the entire script was thought out and written for me by my father My experience as a youth who did have a family two sisters and one brother couldn t have been any happier As time rolled on I realized how fortunate having this accommodation was Times were very bright in my toddler years Things would change as time went on The experience getting the chance to play with some musical stars and some not so starry was very pleasant As a small child I had been accustomed to being involved with the people of the night life since my father s band and friends were like my uncles and aunts I

    Original URL path: http://www.chicagobluesguide.com/features/shuggie-otis/shuggie_otis_interview_page.html (2016-02-15)
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  • Devon Allman interview by Greg Easterling
    is from another planet Some really really tasty work and he really brought a fresh canvas to each tune Like he didn t just play the same tired old lick He approached each song with sense of newness and what can I do to vibe on this He did some piano some B 3 some Wurlitzer some Rhodes Amazing Q Marty did a lot on the instrumental jam Midnight Lake Michigan Devon He did I told him I wanted ominous and he brought it Q You had Giles Corey too He just released his debut album on Delmark Records Devon Yeah that was a trip because just a week before I was calling Hambridge and it was like hey bro I m getting stoked and sent you couple more tunes And he s like man I ve put together a great band and he was so excited I ve got so and so and Giles Corey on guitar And I m like I play guitar what are you doing Oh no trust me it ll be really cool And again I m like no really what are you doing He goes look man I ve done it on all my other records just trust me I said ok so we went in and the genius of it was that I didn t have to go searching for a tone for every single rhythm guitar part All Giles did and I m not trying to minimize it was lay down the meat and potatoes rhythm guitar The beauty of it was when the basic tracks were done I got to do all the secondary ethereal guitar parts and then do all the guitar solos I didn t have to spend all that time dialing in different tones for rhythms It was such a time saver Giles was money he nailed everything He s such a great guy Q You named the album after a Luther Allison song Luther was once a big man in this town with the West Side blues sound How did it come about that your new album Ragged and Dirty was named after one of his songs and not an original song of yours Is there a story behind that Devon Well I just remember thinking after Turquoise where do I want to go with this next record and I was in a Luther phase Listening to a couple of his records I had discovered him in the mid Nineties when the blues kind of blew open for me Q Did you have those Alligator albums Or maybe the ones he did for Motown and Gordy Records Devon I had a couple of live things I bought in the last three or four years Then I bought Bad News Is Coming It s one of those records that s instantly in your Top Ten if you re into that kind of music and it truly was for me It just struck a chord and I remember hearing that tune Ragged and Dirty I actually dig Bad News Is Coming better but I would never ever touch that one laughs But Ragged and Dirty is just so dope it was like that s where I want to go Why don t I just call the record that That s kind of like my life over the last ten years It kind of all came together Q What about the other songs on the album Are there any of which you are particularly proud Devon Everything I like the record I m pleased with it Q You used Half The Truth to kick off the album Devon That opening riff just sounded like an opening song That was one that Tom wrote But Midnight Lake Michigan is my proudest moment I m really happy that Tom was open to that We had cut the whole record eleven tracks I was like I want to do a spooky moody blues piece A really long one He was like we ve got enough really strong songs that would be a really cool statement on the record So I kind of walked the band through a Coltrane thing Let it simmer and simmer then we ll go 5 4 and drop back to a 1 Real spooky and use those dynamics It s going to be like ten minutes long and everybody s looking at me like I m crazy Let s do it three different times and then Tom can edit the best stuff together kind of like Frankenstein it But we ended up playing it one time The only overdub on the track is the mallets on the piano strings the pecking That was it I m happy with the whole album but that s my proudest moment on it I d like to eventually do a whole record like that where it s totally improv and none of it is written Midnight Lake Michigan was not written I just told them hang on the 1 and when my neck goes up I m going to a 5 then we go to a 4 and then to a 1 It was fun man Devon in 2013 photo Jennifer Noble Q There are some other good songs on there like Can t Lose Em All Devon That s a Leroy Parnell cut He s a buddy of mine and Hambridge has worked with him Tom and Leroy co wrote it When I heard it I thought it sounded very Allman Brothers like Q It s more Allmanesque than anything else on the album Devon Leroy is a huge Allman Brothers fan So I was like I spent twenty years staying away from that Let s have one that sounds familiar I think it s good I am who I am Why not I m not doing a whole record like that I m not doing a tribute tour I ve carved my own way into this mess I ve already proven

    Original URL path: http://www.chicagobluesguide.com/features/devon-allman-interview/interview_devon_allman_page.html (2016-02-15)
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  • I'll Take You There: Celebrating 75 Years of Mavis Staples, November 19, 2014, Auditorium Theater
    well placed blues licks along the way with Mavis already seated in the wings tapping her foot and nodding her approval One of the most downright personal moments of the evening happened next with Chicago soul and gospel legend Otis Clay who took time to address the audience recalling the time he was invited to Christmas dinner at the Staples house We should all have a grandfather as funky as Pops said Clay before he launched into I Ain t Raisin No Sand An early five star performance happened next with alt country hero Buddy Miller He brought the gospel quartet the McCrary Sisters to the front of the stage for the spirited call and response of Woke Up This Morning With My Mind Set on Jesus from Mavis most recent studio album One True Vine Miller also recalled seeing The Staples in concert back in 1968 Patty Griffin followed with a moving soulful performance of Waiting For My Child To Come Home that captured the audience Then it was Emmylou Harris turn What a beautiful place to celebrate remarked Harris as she gazed out at the nearly full house of one of Chicago s most legendary venues Emmylou sang a Nick Lowe song Far Celestial Shore that he wrote for Mavis to record after touring together with Wilco and Mavis Up next ex Doobie Brother Michael McDonald reclaimed the Staples message song Freedom Highway with the McCrarys actively involved once more McDonald got the crowd on its feet singing with conviction Made up my mind and I won t turn round After that it was Glen Hansard with the Curtis Mayfield classic People Get Ready as the house band used the Jeff Beck Rod Stewart arrangement as its template Then it was star time when Mavis came onstage for the first time of the evening with Aaron Neville in tow Together they wrapped up the first half of the concert dueting on one of the Staples most enduring hits Respect Yourself with the crowd standing and chanting its approval The second half of the evening began organically with a two song set by the band Widespread Panic featuring Jimmy Herring on guitar As talented as the house band was it was special to have a real group with its special chemistry apply themselves to several more Staples standards They led with Pops Staples Hope In a Hopeless World following by an especially crowd pleasing version of For What it s Worth that got many back on their feet Talented alt country singer Ryan Bingham was next with If You re Ready Come Go With Me followed by Grace Potter with Grandma s Hands Potter s moody sounding piano intro was prelude to a spare arrangement of the song for bass and drums Potter was soon joined by Bingham Patty Griffin and Emmylou Harris for a Bob Dylan song once covered by the Staples A Hard Rain s a Gonna Fall with each singer taking a verse Moving closer to

    Original URL path: http://www.chicagobluesguide.com/reviews/live-reviews/mavis-75th-concert-review/mavis-75th-concert-auditorium-review_page.html (2016-02-15)
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  • Jarekus Singleton, Live at SPACE, concert review
    The next song has a decided jungle drum beat from Jackirus Meanwhile Jarekus on guitar is rocking out with lots of wah wah peddle If I closed my eyes I could be listening to Chicagoan Toronzo Cannon here I really liked the big purposeful bottom Ben Sterling puts down on that bass Like Robert Stroger Ben s the glue that holds the whole thing together as the band finds their way to warm and plays variations on the groove following Jarekus through that beat like a black pied piper leading the children I see so much promise and potential in Jarekus Singleton it s like watching the flowering of Shemekia Copeland in her early Alligator years At this point Jarekus stops to introduce the band It turns out that along with Jackirus Singleton being his brother Ben Sterling is also Jarekus cousin He says that Jackirus hadn t played the drums in years but had been lured back to the stage when Jarekus got the call to start touring So suddenly his hesitation blues made sense Once the young brother warmed up and got comfortable he played some very fine drums The next song Singing the Blues featured another nice organ solo and a tight unexpected arrangement that made me think of the great soul funky work of Chicagoan Sir Walter Scott who did arrangements for The Platinum Band the World Band Tyrone Davis and is currently working his magic for Shirley Johnson I appreciated the complex transitions Jarekus worked out with that Fender Deville Slow blues was next You Put Me Through Hell featured nice vocal harmonies that come from singing together over years in a family band Strong yet understated their voices blended to soften the rock attack of the guitar Letting the music breathe a little bit Jarekus took his time and squeezed every possible emotion from his guitar Loud applause from the sparse but appreciative crowd followed In the pause between songs Jarekus a native of Misissippi told the crowd that the blues hadn t been his first choice of career In fact he d wanted to be an NBA star instead and had put the guitar down for almost 15 years to play basketball Right at the moment his future seemed assured injury knocked him out of his top seed position and right back to the blues His song Keep Pushing illustrated how he handled his dark time between the mountain peaks of life s great mystery from certain fame and money to where he s at now bills all paid I think the discipline of the sporting life the necessary drive and ambition coupled with single mindedness are what s differentiated Jarekus from the rest of the young blues players out there today You can just look at this man and see the determination in his eyes He s a goal oriented focused performer who gets what he s after whether it s a bucket or a blue note He s also interesting to

    Original URL path: http://www.chicagobluesguide.com/reviews/live-reviews/jarekus-singleton-space/jarekus_singleton_live_space_page.html (2016-02-15)
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