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  • BRAVISSIMO II "50 Years NDR Big Band"
    Fairy Tale by Barbara Dennerlein 07 Love For Sale by Cole Porter 08 Round About Midnight by Theloniaus Monk 09 My Funny Valentine by Richard Rodgers 10 After You ve Gone by Creamer Layton 11 Mosher by Michael Gibbs 12 Red Horn by Nils Landgren 13 Go by Carpenter Benny Bailey Tomasz Stanko Dusco Goykovich trumpet Fritz Pauer Walter Norris Lex Jasper Palle Mikkelborg Vladyslav Sendecki piano John Marshall Ronnie

    Original URL path: http://www.cosmicsounds-london.com/LALA/bravissimo.html (2016-02-11)
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  • HORST JANKOWSKI QUARTETT - Jankowskinetik
    COSMIC SOUNDS TITLE V A NEK JAZZ POTECE 17th YU Jazz Fest Valjevo 2001 RECORDED 2001 ORIGINAL RE ISSUES CD TITLES MUSICIANS 4 KVARTET LALA KOVACEV JOE MIKOVICH TALK ABOUT

    Original URL path: http://www.cosmicsounds-london.com/LALA/valjevo.html (2016-02-11)
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  • DAVID GAZAROV / CHUCK ISRAELS INTERNATIONAL TRIO "Meeting On Hvar"
    NEXT Brought to you by COSMIC SOUNDS TITLE DAVID GAZAROV CHUCK ISRAELS INTERNATIONAL TRIO Meeting On Hvar RECORDED ORIGINAL Anima Records RE ISSUES TITLES MUSICIANS David Gazarov p Chuck Israels

    Original URL path: http://www.cosmicsounds-london.com/LALA/hvar.html (2016-02-11)
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  • JANKO NILOVIC - Cosmic Energy
    R E home catalogue albums catalogue singles how to buy special offers artists radio show videos news others about us contacts bookings listening room mailing list links JANKO NILOVIC CAT NO CS 38 Cosmic Energy FORMAT CD LP 8 50 VAT 8 50 VAT JANKO NILOVIC Big Band RTV Slovenija featuring Dusko Gojkovic Recorded at Studio 14 of Radio Slovenija in Ljubljana TOTAL TIME 1hr 7min 30sec MORE INFO JANKO

    Original URL path: http://www.cosmicsounds-london.com/label/cs-38/cs-38.html (2016-02-11)
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  • Kevin LeGendre
    as Ornette Coleman Trying to break down the barriers that exist within jazz was perhaps not the most important goal that the show pursued Now s The Time was keen to expose a lot of unrecognized musicians who fell through the cracks for one reason or another One of the most important of whom was saxophonist Charles Brackeen a musician who recorded with Ornette s cohorts back in the 50s worked with the mighty drummers Paul Motian and Ronald Shannon Jackson another Coleman spar no less in the 70s then went on to make some outstanding music in the 80s His Attainment became a key track in the first year of the show This was a modern day spiritual a plea from the heart that was both earthy and abstract It had the urgency of an American urban mind and the languor of an African villageois soul and inspired a fair amount of interest from unsuspecting listeners Brackeen is an example of an artist who was neglected in his most fertile period 1987 1990 for several reasons He was too old to be a young lion too young to be a veteran Mainstream jazz circles never really took to him Moreover he was an exponent of cliché free improvised music that wasn t easily defined Brackeen wasn t identified with any particular scene His albums weren t packaged like classic Impulse titles Interestingly enough the view I encountered among some heads when I said that I d be presenting a show of contemporary jazz was one of thinly veiled skepticism I was told there d be absolutely no mileage in it that I d have to stick to the 70s the chapter of the artform s evolution that provides the choice terrain for breakbeats I was told in no uncertain terms that the 80s and 90s were fallow land Jazz in the millennium lacked loops It had no obvious samples All the more reason to listen to it said I The pieces on this compilation reflect that obtuse indefinable character of contemporary jazz They present myriad voices those recorded in acoustic and electric settings those using minimalist and expansive instrumentation those anchored around a backbeat and those bobbing on swing in an integrated fashion They hopefully achieve continuity of feeling rather than style Beyond the idea of the broad church and its attendant ideas of idiomatic freedom the most important principle of Now s The Time was that the music had to be predominantly contemporary I selected tracks that would do justice to the name of the show which lest we forget was the title of Charlie Parker s finest hour a manifesto for constant creative renewal and defiance of the status quo When I listened to Azilut s Pumpkin s Delight I heard the sound of a different drummer yet it was one that was very much of today The piece s propulsive groove had a touch of Billy Cobham s Quadrant pushed to 4 on the 1s 2s

    Original URL path: http://www.cosmicsounds-london.com/label/artists/LeGendre.htm (2016-02-11)
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