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  • Ben Watson | furtlogic
    Watson reviews 2000 FURT are special Cavernous echo and abrupt pips scrunches and blurts suggest malfunctioning equipment in a decaying warehouse gestures and responses are measured by the playing body rather than bar line or stop clock informations performances works

    Original URL path: http://furtlogic.com/node/20 (2016-02-10)
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  • Matt Ffytche, The Wire | furtlogic
    Matt Ffytche The Wire reviews 1998 It s impossible to do justice to FURT s sparkling impulsive cutup that strains and slumps between high modernist angularity and visceral mud a rollercoaster apotheosis and pulverisation of bourgeois sentiment informations performances works

    Original URL path: http://furtlogic.com/node/19 (2016-02-10)
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  • Ben Watson, The Wire | furtlogic
    Ben Watson The Wire reviews 1993 like some fantastic new improvised rock music all hard edges and astonishing timbres models of velocity and structure FURT contain the genuine promise of musical production beyond the pop classical divide informations performances works

    Original URL path: http://furtlogic.com/node/17 (2016-02-10)
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  • Nick Couldry, LMC Newsletter | furtlogic
    furtlogic Search this site Nick Couldry LMC Newsletter reviews 1992 crazed laboratory scientists or bureaucrats of sound the music flows like lava informations performances works fORCH recordings cds downloads video

    Original URL path: http://furtlogic.com/node/6 (2016-02-10)
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  • communications | furtlogic
    that I agree with what you write about mass culture and the deadening effects it can have on our sensibilities So as for your general question of originality and progress I think lots of what you say makes it clear that as long as capitalism remains so adept at commodifying and neutralising artistic production it will always be essential for some of us to try and reach out beyond any established practices in art even currently progressive ones The parts of your book I find it harder to go along with are those dealing with electronics What I do think is right though is to describe a lot of electronica as unresponsive in the dimension of dynamics of which more below I am inclined to make a partial exception for FURT and BARK among others here though read more interview with Kevin Patton communications for Point of Departure October 2010 Can you describe your technological set ups as well as the controllers you use and how they work Does not need to be intolerably specific but clear enough to understand the structure of your processing from samples or live sources to what we hear and the control of it in real time We should start by saying that our first priority is to communicate with people through sound so it can be distracting and misleading to talk about the technology as if it were at the centre of what we do Our setup consists at the moment of two MIDI keyboards and a few other controllers controlling sample playback software on three computers of which each of us has access to two So the situation involves characteristics both of one instrument and of two being played by both one person and two and that s more central to what we think about than the specific technology used to bring it about read more interview with Stefano Isidoro Bianchi communications for Blow Up magazine June 2005 SIB Paul I know Richard has a career as a teacher and contemporary classical composer but I know very little about what you did before you joined him for FURT Can you tell me PO Richard and I formed FURT in 1986 shortly after I finished college when I was only 21 years old and R was 26 So FURT has really been the cornerstone of my musical activity more or less from the start This isn t quite true for Richard who as you say has also vigorously pursued writing instrumental music in parallel to FURT My other main musical activity these days is the BARK trio with Rex Casswell and Phillip Marks which you know all about RB I know that s not a question for me but I should point out I m neither a teacher nor a classical composer The word classical for me implies a different kind of relationship with Western art music history from the one I actually have Although of course I m often writing music for classical

    Original URL path: http://furtlogic.com/taxonomy/term/9 (2016-02-10)
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  • contact | furtlogic
    Creating default object from empty value in home furt furtlogic com modules taxonomy taxonomy pages inc on line 33 contact E mail info paul or richard at furtlogic dot com Go to richardbarrettmusic com links contact to come informations performances

    Original URL path: http://furtlogic.com/taxonomy/term/10 (2016-02-10)
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  • furtographs | furtlogic
    sites all modules gallery assist lightboxes gallery assist lightboxes display inc on line 59 furtographs next blown Holliger liberation dontlookyou labil INFORMATION curtains carpet hotel Bailey wien 3 PRESS Malec wien 1 Beefheart FURT ribbon III shall we shipwreck ugh peotoots Tudor Braxton Xenakis nanowires good game equipment wien 2 pews wien 2x memory bankk 2004 crepuscles wiener Parker eyes 2 cz trousers Istanbul 1 tfos eyes 1 spark plastrid

    Original URL path: http://furtlogic.com/node/88?page=1&titles= (2016-02-10)
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  • furtographs | furtlogic
    all modules gallery assist lightboxes gallery assist lightboxes display inc on line 59 furtographs previous next blown Holliger liberation dontlookyou labil INFORMATION curtains carpet hotel Bailey wien 3 PRESS Malec wien 1 Beefheart FURT ribbon III shall we shipwreck ugh peotoots Tudor Braxton Xenakis nanowires good game equipment wien 2 pews wien 2x memory bankk 2004 crepuscles wiener Parker eyes 2 cz trousers Istanbul 1 tfos eyes 1 spark plastrid

    Original URL path: http://furtlogic.com/node/88?page=3&titles= (2016-02-10)
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