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  • Heiner Goebbels - Archive - Texts - Reviews
    Хаи нера Ге ббельса В спектакле Макс Блэк или 62 способа подпереть голову рукои соединены световые музыкальные и пиротехнические эффекты Тут хитроумные механизмы и тексты великих мыслителеи создают полифоническое деи ство управляемое главным героем в исполнении Александра Пантелеева Именно эту постановку вчера 6 октября в Электротеатре Станиславскии совместно с агентством v confession представили друзьям и партнерам театра за день до официальнои премьеры Режиссер и композитор спектакля Хаи нер Ге ббельс

    Original URL path: http://www.heinergoebbels.com/en/archive/texts/reviews/read/1054 (2016-02-13)
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  • Heiner Goebbels - Archive - Texts - Reviews
    голову рукой мировая премьера в 1998 году Официальная российская премьера 7 октября но коллегам и прессе работу показали уже 5 го в понедельник Если в Вещи Штифтера Геббельсом доведена до виртуозности техническая изобретательность 5 препарированных роялей без участия пианистов играющих музыку зарождения расцвета и гибели вселенной в представлении Когда гора сменила свой наряд акцент делается на изощренной хоровой и танцевальной партитуре то в Максе Блэке до предела виртуозно прежде всего

    Original URL path: http://www.heinergoebbels.com/en/archive/texts/reviews/read/1066 (2016-02-13)
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  • Heiner Goebbels - Archive - Texts - Reviews
    Harry Partch and Partch who died in 1974 might have been astonished to see that a German group Musikfabrik a virtuoso new music ensemble based in Cologne has lately become his chief international advocate Two years ago at the Ruhrtriennale

    Original URL path: http://www.heinergoebbels.com/en/archive/texts/reviews/read/1051 (2016-02-13)
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  • Heiner Goebbels - Archive - Texts - Reviews
    of dream delusion In director Goebbels beautiful staging a creek with small waterfalls runs through the middle of the ensemble falling into a misty pool at centerstage A small campfire is lit for Act II and becomes a series of small fires on the stage These are important reminders that this music for all its contrivance symbolism and absurd humor strives for the elemental It was a brilliant affair not

    Original URL path: http://www.heinergoebbels.com/en/archive/texts/reviews/read/1049 (2016-02-13)
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  • Heiner Goebbels - Archive - Texts - Reviews
    Interviews Reviews Portraits Texts by HG Anthologies Previous page Partch Delusion of the Fury Lincoln Center Festival New York The composer s bizarre outrageously complex work was an assault on the senses The ensemble employs an inspired collection of singing chanting prancing plucking clanging virtuosi Tireless and obviously dedicated to their daunting cause also to the clever direction of Heiner Goebbels they manoeuvre Partch s forbidding landscape and soundscape with

    Original URL path: http://www.heinergoebbels.com/en/archive/texts/reviews/read/1048 (2016-02-13)
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  • Heiner Goebbels - Archive - Texts - Reviews
    ways Mr Goebbels s staging involved a running stream and inflatable hills positioned among the instruments as well as goats made of garbage bags and sticks all echoing the Partch devotion to found objects A giant cutout of Colonel Sanders settled the dispute between the goat woman and the hobo Klaus Grünberg designed the set and lighting Florence von Gerkan the costumes The members of Musikfabrik were remarkably game both

    Original URL path: http://www.heinergoebbels.com/en/archive/texts/reviews/read/1050 (2016-02-13)
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  • Heiner Goebbels - Archive - Texts - Reviews
    HG Anthologies Previous page Beautiful Dreamer A classic work of West Coast experimentalism reinvents music drama Goebbels who has achieved wonders in radical adaptions of music and words by such figues as Hanns Eisler and Gertrude Stein has restrained himself

    Original URL path: http://www.heinergoebbels.com/en/archive/texts/reviews/read/1090 (2016-02-13)
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  • Heiner Goebbels - Archive - Texts - Reviews
    of the Fury With New Partch Instruments The fantastical daffy yet affecting production created by the composer and director Heiner Goebbels for the Ruhrtriennale in Germany in 2013 opened on Thursday at New York City Center Regardless of the financial and logistical restraints I bet Delusion of the Fury could have drawn solid audiences for a week At the end of the performance the audience brought the impressive musicians of

    Original URL path: http://www.heinergoebbels.com/en/archive/texts/reviews/read/1046 (2016-02-13)
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