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  • mikewegerer
    DISPLAYCED enter MACHT RAUM CCTV view Bild1 Bild2 Bild3 Bild4 Bild5

    Original URL path: http://www.mikewegerer.com/allimages_work/displayced/intro01.html (2016-02-12)
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  • mikewegerer
    a graphical translation of an Internet Data set from the search engine Google The data set is related to the 44 participating Critical Mass Portfolio artists The participating artists are printed on the Image The number sets are the spontaneous result of the search engine s outcome which data is the combination of three terms in relation to their names music art non manual task and independence The visual echo

    Original URL path: http://www.mikewegerer.com/allpages_work/googlehits.html (2016-02-12)
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  • mikewegerer
    and a proposition Wegerer s impulse in making this work appears to be centered on incongruity the impossibility of a bus shelter standing alone in the northern Australian desert capturing the parallelisms and convergences between land shelter ownership and reality He recognizes that all visitors to this bus stop will see it differently and that the various visions associated with this work filtered through the Australian perspective are as complex

    Original URL path: http://www.mikewegerer.com/allpages_work/desertbusstop01.html (2016-02-12)
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  • mikewegerer
    Displayced University of Applied Art Vienna 2008 for further details see the project web site

    Original URL path: http://www.mikewegerer.com/allpages_work/displayced.html (2016-02-12)
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    the visitor s drawings onto silkscreen to be printed back onto the packing paper Finally the folding and reconstruction of all separated parts were generated as a copy of the original s structure The event became a transformed re enactment in the gallery space This work is based on sets of contradictions A bus shelter is a point of approach and departure and as an artwork it references the term instant monument where space becomes a place in a particular time and if time is a place then innumerable places are possible 6 Like many scattered islands it reflects my personal experience with the participants from Northern Australia The edges between these islands are places of transition related to the different perspectives in the work s reading The idea was to visualize echoes of the event The re produced original in the studio space is created of materials thoughts and skills collected from various places and intermingles with fact and imagination Finally the transformation of the work s outcome is offering the viewer a tangible experience of the narrative which reflects a journey and a process The various objects and images connected within this project mirror the notion of production and expose meaning that is both personal and local as well as collective and global Beyond this interpretation of thoughts the meaning of the object s embedded context doubles in the process of transformation as an artifact The bus stop signifies as transition space a place of arrival and departure like the gallery space which as a place is constituted by a chain of events The change occurs through the repetition of an event and may affect the mayor categories peoples use when they think about their identity and their reciprocal relation to place During the intervention on site I was able to speak to local people Their thoughts were collected in the form of writings and drawings onto the temporary wrapped structure of the shelter The representation as reconstructed object showed an altered simulacrum of place By similar I mean that the gallery visitors were gathering around the reconstructed shelter viewing and discussing thoughts beyond the context of this work The relationship of these two events is dividing the near and the elsewhere by setting one next to each other 2 Contrasting these thoughts I will give a brief overview of my work THE HOCKNEY CHAIR presented 2010 at the Hockney Gallery in London A chair as art object is referring to a subject and is related to art history Remembering Benjamin s notion of touch it could be read as a renewed interpretation of languages used by conceptual artists of the 1960s i e Joseph Kosuth Richard Artschwager or more recently by Lucy Skaer My approach was similar to the Bus Stop Project but from a slightly different angle It was an artistic journey defining the edge between the formal language of an object and the relationship between the 2d and the 3d as well the digital and

    Original URL path: http://www.mikewegerer.com/writings.html (2016-02-12)
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    Austausch und Exchange basieren zu erkennen Wie soll der physische Raum beschaffen sein in dem gemeinsam geschaffene Kunst präsentiert wird Und welche Form und Voraussetzungen der Kommunikation soll zwischen Kunstschaffenden gewählt werden Erfahrungen in unterschiedlichen intellectual artbeehives zeigten dass es sich um einen kontinuierlichen Prozess handelt in dem Strategien zur gemeinsamen Themeneingrenzung entwickelt werden Die Ergebnisse jener Kollaborationen können als offene Produkte aufgefasst werden die einem Anspruch auf alleinige AutorInnenschaft

    Original URL path: http://www.mikewegerer.com/writings2.html (2016-02-12)
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  • mikewegerer
    Piano Sublimation Sound Grafik Piano Sublimation Performance and Installation at In print out Künstlerhaus Vienna 2013 Screen Print on Bristol Paper 280g 70 x100 cm

    Original URL path: http://www.mikewegerer.com/allpages_work/PianoSublimation1grafik.html (2016-02-12)
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  • mikewegerer
    the world are showing the relationship between their level of creativity and education compared to the level of happiness in each country The pointer measures in each dot the percentage of people feeling happy in the correspondent country It takes

    Original URL path: http://www.mikewegerer.com/allpages_work/onehour.html (2016-02-12)
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