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  • Sal Randolph: Ambience Scores
    rendered sound composition places could then be performed as voice Think Kurt Schwitters Ursonate meets field recordings The originating moments they capture are ephemeral and unrepeatable transcription errors are inevitable but every attempt at the impossible task is made Ambience Scores have been exhibited and performed as part of re spond re peat curated by Audra Wolowiec at Soapbox Gallery video here They also appeared in the exhibition We Notice

    Original URL path: http://salrandolph.com/art/132/ambience-scores (2016-04-26)
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  • Sal Randolph: Time
    home Time The present time on Twitter Facebook Irregularly since 2008 Now also by post Time on Twitter

    Original URL path: http://salrandolph.com/art/133/time (2016-04-26)
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  • Sal Randolph: Library of Art
    for Raygun consists of 16 volumes Material Process Structure Action Situation Duration Social Subject Style Color Antagonism Post Rules Participation Anthology and Biblio And now for the first time there will be a single volume version of the collection The Handy Condensed Library of Art given away to visitors during the show The volumes in the Library each contain one category or aspect of a potential artwork In the volume Material there are 150 materials plastic beer steel stories in Process 150 processes loosen pickle cut sweeten In Structure 150 formal structures triangle network melody box and on Material Process and Structure might be used in combination to create instructions for sculptural works or installations Action Situation Duration and Social can be used to realize possible performances interventions and social architectures Subject Style and Color can be applied towards paintings or other two and three dimensional works Antagonism offers a repertoire of options for the critical stance that every contemporary work of art seems to need Post lists postproduction activities and effects to extend the work Rules suggests ways that the volumes can be played as an art game or a studio tool All of these can be mixed or

    Original URL path: http://salrandolph.com/art/75/library-of-art (2016-04-26)
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  • Sal Randolph: Bureau of Unknown Destinations
    with the tearing open of a sealed envelope revealing the mystery of where the traveler would find themselves by noon The Bureau provided the opportunity for voyagers to set forth free of decisions into the great or perhaps in this case the small unknown To test their sense of destiny To have lunch someplace new The Bureau is currently at work compiling the results of these voyages and developing a

    Original URL path: http://salrandolph.com/art/100/the-bureau-of-unknown-destinations (2016-04-26)
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  • Sal Randolph: Money Actions & Free Money
    in turn Because money is caged in rules simply acting outside these rules opens up new ranges of social action and interaction The money serves as a provocation for thought conversation feeling In my experience people are more reluctant to receive than to give it s awkward for people to be put in that situation and I like to linger there From either side of the equation emotions are brought into play greed anxiety stinginess as well as excitement generosity pleasure People tell me stories of loans gone bad purses stolen in bars handouts to people on the street hunting for nuggets of gold in the Yukon friends in trouble For me the artwork happens inside the other person as they experience the situation as they think about give away or spend the money Money Actions 2005 ongoing The money action 5 Euros near Something Blue Bankovec Za Pet Evrov Pri Necem Modrem was part of the 29th Ljubljana Biennial in the fall of 2011 Money Actions Free Money has also been a part of Art in Odd Places Sign and Vendorbar at the Editions Artists Book Fair as well as Participatory Dissent at the Live Biennale in Vancouver be

    Original URL path: http://salrandolph.com/art/26/free-money (2016-04-26)
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  • Sal Randolph: Free Press
    and all members of the public In its first incarnation Free Press set up shop at the Röda Sten contemprary art house in Gothenberg Sweden and published 30 volumes with contents including fiction essays on contemporary anarchism artist book projects reworked material from the public domain jokes theory manifestos and poetry Free Press 2006 Free Press was inagurated at Röda Sten and was also part of Conflux 2006 and Labyrinth

    Original URL path: http://salrandolph.com/art/25/free-press (2016-04-26)
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  • Sal Randolph: Reading Between
    Value In the late months of 2005 and early 2006 I offered to send anyone a free copy of Graeber s book creating an informal network of readers who communicated online through email and a forum Reading Between was partly a fragmentary conversation and partly a simultaneous action reading or thinking about reading distributed across space in several countries readingbetween org 2005 2006 Reading Between was part of the exhibition

    Original URL path: http://salrandolph.com/art/24/reading-between (2016-04-26)
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  • Sal Randolph: Opsound
    possibilities of developing a gift economy among musicians borrowing from the model of the open source software community Anyone is invited to contribute their sounds to the open pool using a copyleft license Work in the open pool is available to be listened to reconfigured recombined remixed and also released by Opsound and other microlabels both on the internet and in the physical world opsound org 2003 ongoing Opsound has

    Original URL path: http://salrandolph.com/art/18/opsound (2016-04-26)
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