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  • Sean Kelly Gallery - Frank Thiel - Selected Press
    Release Selected Press Artist Page Selected Press Critics Pick Time Out New York February 2014 View PDF 735 K Frank Thiel s Photographs of Towering Glaciers at Sean Kelly Gallery Architectural Digest February 4 2014 View PDF 0 9 MB 11 Things to Do in New York s Art World Before February 3 Gallerist January 27 2014 View PDF 333 K Images at the End of the Frozen World Hyperallergic

    Original URL path: http://www.skny.com/exhibitions/2014-01-31_frank-thiel/press/ (2016-02-08)
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  • Sean Kelly Gallery - Robert Mapplethorpe - Selected Works
    by permission Lisa Lyon 1982 Robert Mapplethorpe Foundation Used by permission Lisa Lyon 1982 Robert Mapplethorpe Foundation Used by permission Calla Lily 1988 Robert Mapplethorpe Foundation Used by permission Leather Crotch 1980 Robert Mapplethorpe Foundation Used by permission Colin Streeter 1978 Robert Mapplethorpe Foundation Used by permission Prev Prev of Next Next Back to Artist Lisa Lyon 1982 Robert Mapplethorpe Foundation Used by permission Lisa Lyon 1982 Robert Mapplethorpe Foundation

    Original URL path: http://www.skny.com/exhibitions/2013-12-14_robert-mapplethorpe/works/ (2016-02-08)
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  • Sean Kelly Gallery - Robert Mapplethorpe - Press Release
    While some pairings in the exhibition may have more obvious connections others are more ambiguous in their associations The fifty four images that comprise Saints and Sinners some of which have rarely been exhibited afford the viewer an opportunity to find personally meaningful connections in the work Mapplethorpe himself deftly subverted any moral implications by presenting his subject matter in an objective even classical manner putting the onus on the viewer to draw their own conclusions Mapplethorpe s Self Portrait 1980 in drag is paired with a portrait of the singer and actress Amanda Lear 1976 two unique depictions of female sexuality The profile of a marble sculpture of Ermes 1988 is shown next to a vanitas like composition of a human skull 1988 the former perhaps represents an ideal of physical perfection whilst the latter reminds one of the realities of mortal existence Bruce Mailman 1981 and Christopher Holly 1980 are in different guises potentially perceived as either playful or nefarious in each case the viewer is called upon to decide the implications for themselves Together the photographic pairings in Saints and Sinners offer the possibility of seemingly endless personal interpretations of the work and a fresh perspective on Mapplethorpe s practice and his fearless contribution to contemporary photography Robert Mapplethorpe was born in 1946 in New York He earned a B F A from Pratt Institute in Brooklyn where he produced artwork in a variety of media mainly collage The shift to photography as Mapplethorpe s sole means of expression happened gradually during the mid 1970s He took his first photographs using a Polaroid camera and later became known for his portraits of artists architects socialites stars of pornographic films members of the S M community and an array of other characters many of whom were personal friends

    Original URL path: http://www.skny.com/exhibitions/2013-12-14_robert-mapplethorpe/pressrelease/ (2016-02-08)
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  • Sean Kelly Gallery - Robert Mapplethorpe - Selected Press
    January 25 2014 Installation Views Selected Works Press Release Selected Press Artist Page Selected Press Critic s Pick Time Out New York December 26 2013 View PDF 1 3 MB Robert Mapplethorpe s Saints And Sinners Reveals The Power Of Black And White Photography The Huffington Post December 23 2013 View PDF 4 2 MB Both Sides Of Robert Mapplethorpe Interview December 2013 View PDF 3 1 MB New Exhibition

    Original URL path: http://www.skny.com/exhibitions/2013-12-14_robert-mapplethorpe/press/ (2016-02-08)
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  • Sean Kelly Gallery - Slater Bradley - Selected Works
    4 x 66 3 4 inches 118 7 x 169 5 cm unique signed by the artist verso Slater Bradley Sequoia Alina 2013 black and white fiber print face mounted to 1 8 non glare Plexi backed with 6mm sintra in a white maple float frame paper 39 3 4 x 59 3 4 inches 101 x 151 8 cm framed 43 1 8 x 63 inches 109 5 x 160 cm edition of 3 with 2 APs Slater Bradley Alina Melancholia 2013 framed crumpled black and white fiber print with silver marker paper 70 x 50 inches 177 8 x 127 cm framed 77 5 8 x 55 3 8 inches 197 2 x 140 7 cm unique signed titled and dated by artist verso Slater Bradley Sequoia 2013 2 min 29 sec Super 8 film HD 2 channel video projection onto two 54 in x 96 in screens stereo sound dimensions variable edition of 3 with 2 APs Slater Bradley Prev Prev of Next Next Back to Artist A Point Beyond the Tree 2013 framed digital C print mounted to Dibond with moon gold leaf paper 40 x 72 inches 101 6 x 182 9 cm framed 46 5 8 x 78 5 8 inches 118 4 x 199 7 cm unique signed by the artist verso Slater Bradley Study for a Hologram 2013 framed black and white fiber print mounted to Dibond with palladium leaf paper 59 5 8 x 40 1 8 inches 151 4 x 101 9 cm framed 66 1 4 x 46 3 4 inches 168 3 x 118 7 cm unique signed by the artist verso Slater Bradley Saturn Trine Neptune 2013 framed digital C print mounted to Dibond with gold marker and moon gold leaf paper 40 x 60 inches 101

    Original URL path: http://www.skny.com/exhibitions/2013-12-14_slater-bradley/works/ (2016-02-08)
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  • Sean Kelly Gallery - Slater Bradley - Press Release
    from the background positioning the work outside a specific time or place These labor intensive works require Bradley to spend a great deal of time modifying the imagery thence reconnecting himself to the original fleeting moment captured in the photograph For Bradley the images suggest themes of longing loss and unconditional love Alina is also featured in Sequoia a two channel video that will be installed in the lower gallery The film includes footage from Chris Marker s La Jetée the 1962 French science fiction film Alfred Hitchcock s Vertigo from 1958 and Bradley s 2013 homage to the Marker film she was my la jetée In Sequoia Bradley builds on a series of references isolating a dialogue in Marker s film that is based on a scene in Vertigo in which the two main characters look at a display of the cross section of a sequoia tree whose rings are used as a historical timeline In Marker s film the protagonist has traveled back through time to seek out the woman with whom he has become obsessed explaining to her that he comes from a point beyond the tree The mirrored sequences from the two iconic films are interwoven with footage of Bradley s muse his la jetée shot in super 8 to suggest a timeless quality Bradley employs a freeze frame technique in replaying both his footage and the Vertigo sequence to closely mimic the still photographs of Marker s film further conflating the individual films and underscoring his interest in blurring the boundaries between photography and the moving image Using experiences unfolding in the present day of his own life Bradley explores the universal narrative of lost love through his photographic and video works A Point Beyond the Tree presents a focused view on these deeply personal

    Original URL path: http://www.skny.com/exhibitions/2013-12-14_slater-bradley/pressrelease/ (2016-02-08)
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  • Sean Kelly Gallery - Slater Bradley - Selected Press
    2013 View PDF 757 K Live Souls Modern Painters March 2010 View PDF 2 9 MB Slater Bradley Boulevard of Broken Dreams Art Review September 7 2009 View PDF 484 K We Care A Lot Art Review June 25 2009 View PDF 2 MB Slater Bradley Perfect Empathy Eyemazing Summer 2009 View PDF 774 K Man in the Mirror Art Review December 2007 View PDF 3 5 MB Slater Bradley

    Original URL path: http://www.skny.com/exhibitions/2013-12-14_slater-bradley/press/ (2016-02-08)
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  • Sean Kelly Gallery - Callum Innes - Selected Works
    Untitled Lamp Black No 7 2013 oil on linen 70 7 8 x 69 inches 180 x 175 cm signed by the artist verso CI 58 13 Untitled Lamp Black No 9 2013 oil on linen 70 7 8 x 69 inches 180 x 175 cm signed by the artist verso CI 60 13 Exposed Painting Blue Lake Carmine 2013 oil on linen 49 1 4 x 48 7 16 inches 125 x 123 cm signed by the artist verso CI 46 13 Untitled Lamp Black No 3 2013 oil on linen 44 x 43 1 4 inches 112 x 110 cm signed by the artist verso CI 41 13 Prev Prev of Next Next Back to Artist Exposed Painting Red Oxide 2013 oil on linen 92 1 2 x 90 1 2 inches 235 x 230 cm signed by the artist verso CI 84 13 Exposed Painting Green Lake 2013 oil on linen 92 1 2 x 90 1 2 inches 235 x 230 cm signed by the artist verso CI 82 13 Untitled Lamp Black No 7 2013 oil on linen 70 7 8 x 69 inches 180 x 175 cm signed by the artist verso CI 58

    Original URL path: http://www.skny.com/exhibitions/2013-10-25_callum-innes/works/ (2016-02-08)
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