archive-com.com » COM » S » SKNY.COM

Total: 723

Choose link from "Titles, links and description words view":

Or switch to "Titles and links view".
  • Sean Kelly Gallery - Callum Innes - Checklist
    cm signed by the artist verso CI 41 13 CALLUM INNES Exposed Painting Blue Lake Carmine 2013 oil on linen 49 1 4 x 48 7 16 inches 125 x 123 cm signed by the artist verso CI 46 13 MAIN GALLERY clockwise from right of entrance CALLUM INNES Exposed Painting Charcoal Black Orange Oxide 2013 oil on linen 92 1 2 x 90 1 2 inches 235 x 230 cm signed by the artist verso CI 85 13 CALLUM INNES Exposed Painting Dioxaine Violet 2013 oil on linen 92 1 2 x 90 1 2 inches 235 x 230 cm signed by the artist verso CI 78 13 CALLUM INNES Exposed Painting Red Oxide 2013 oil on linen 92 1 2 x 90 1 2 inches 235 x 230 cm signed by the artist verso CI 84 13 CALLUM INNES Exposed Painting Green Lake 2013 oil on linen 92 1 2 x 90 1 2 inches 235 x 230 cm signed by the artist verso CI 82 13 CALLUM INNES Exposed Painting Blue Lake 2013 oil on linen 94 1 2 x 91 3 8 inches 240 x 232 cm signed by the artist verso CI 79 13 CALLUM

    Original URL path: http://www.skny.com/exhibitions/2013-10-25_callum-innes/checklist/ (2016-02-08)
    Open archived version from archive


  • Sean Kelly Gallery - Callum Innes - Press Release
    from the initial color itself altered by the removal of the black In a recent interview with the Wall Street Journal Innes explained I make a painting and work with the surface then dissolve it taking it off with turpentine In many ways I am dissolving an image that is in my head With the paintings I make a black made of many colors until I dissolve it Then the colors separate so that color will be revealed Innes has achieved an intense luminosity with the paintings that comprise Liminal so much so that the works almost appear to be lit from within The new Exposed Paintings include some of Innes s largest to date measuring over seven and a half feet in height The creation of the works is physically arduous as they have to be completed in a single day The Untitled Lamp Black Paintings include the eponymously named color a matte black of particular richness and depth The muted surface of this matte black on one half of the paintings stands in stark contrast to the ethereal glow of the chromatic intensity on the other half The resultant works of both series are spare elegant canvases that combine a formal precision with an intense poetic beauty and conceptual complexity Callum Innes has emerged as one of the most significant abstract painters of his generation achieving widespread recognition through major solo and group shows worldwide He was awarded the Jerwood Prize for Painting in 2002 and the Nat West Prize in 1998 In 1995 Innes was shortlisted for the Turner Prize Recent critically acclaimed museum exhibitions include From Memory which traveled throughout Europe and Australia in 2008 9 Callum Innes Recent Work at the National Galleries of Scotland Edinburgh in 2010 and Callum Innes at the Whitworth Art

    Original URL path: http://www.skny.com/exhibitions/2013-10-25_callum-innes/pressrelease/ (2016-02-08)
    Open archived version from archive

  • Sean Kelly Gallery - James Casebere - Selected Works
    2 APs signed and numbered on label verso JC 174 M Monticello 3 2001 framed Cibachrome dye destruction print paper 46 1 2 x 58 inches 118 1 x 147 3 cm framed 49 1 2 x 61 inches 125 7 x 154 9 cm edition of 5 with 2 APs signed and numbered on label verso JC 102 Two Bunk Cell 1998 framed Cibachrome dye destruction print paper 58 1 8 x 46 1 2 inches 147 6 x 118 1 cm framed 61 1 8 x 49 1 2 inches 155 3 x 125 7 cm edition of 5 with 2 APs signed and numbered on label verso JC 58 Yellow Hallway 2 2001 framed Cibachrome dye destruction print paper 46 1 2 x 58 inches 118 1 x 147 3 cm framed 49 1 2 x 61 inches 125 7 x 154 9 cm edition of 5 with 2 APs signed and numbered on label verso JC 125 Prev Prev of Next Next Back to Artist Arcade 1995 framed Cibachrome dye destruction print paper 58 3 4 x 46 1 2 inches 149 2 x 118 1 cm framed 61 3 4 x 49 1 2 inches 156 8 x 125 7 cm edition of 5 with 2 APs signed and numbered on label verso JC 119 JAMES CASEBERE Green Staircase 1 2002 framed Cibachrome dye destruction print paper 58 x 46 1 2 inches 147 3 x 118 1 cm framed 61 x 49 1 2 inches 154 9 x 125 7 cm edition of 5 with 2 APs signed and numbered on label verso JC 129 JAMES CASEBERE Abadia from Lower Left 2005 framed Cibachrome dye destruction print paper 58 3 4 x 46 1 2 inches 149 2 x 118 1 cm framed 61

    Original URL path: http://www.skny.com/exhibitions/2013-10-25_james-casebere/works/ (2016-02-08)
    Open archived version from archive

  • Sean Kelly Gallery - James Casebere - Checklist
    of 5 with 2 APs signed and numbered on label verso JC 174 M JAMES CASEBERE Arcade 1995 framed Cibachrome dye destruction print paper 58 3 4 x 46 1 2 inches 149 2 x 118 1 cm framed 61 3 4 x 49 1 2 inches 156 8 x 125 7 cm edition of 5 with 2 APs signed and numbered on label verso JC 119 JAMES CASEBERE Two Bunk Cell 1998 framed Cibachrome dye destruction print paper 58 1 8 x 46 1 2 inches 147 6 x 118 1 cm framed 61 1 8 x 49 1 2 inches 155 3 x 125 7 cm edition of 5 with 2 APs signed and numbered on label verso JC 58 JAMES CASEBERE Yellow Hallway 2 2001 framed Cibachrome dye destruction print paper 46 1 2 x 58 inches 118 1 x 147 3 cm framed 49 1 2 x 61 inches 125 7 x 154 9 cm edition of 5 with 2 APs signed and numbered on label verso JC 125 JAMES CASEBERE Monticello 3 2001 framed Cibachrome dye destruction print paper 46 1 2 x 58 inches 118 1 x 147 3 cm framed 49 1 2

    Original URL path: http://www.skny.com/exhibitions/2013-10-25_james-casebere/checklist/ (2016-02-08)
    Open archived version from archive

  • Sean Kelly Gallery - James Casebere - Press Release
    and Monticello 3 from a series based on Thomas Jefferson s home and other structures from the American colonial period In these images Casebere replicates the interiors in exacting detail but floods them an effect achieved with a resin used in architectural models to represent water a statement to some extent on the discrepancy between the founding principles of American democracy and their selective and imperfect realization The most recent work in the exhibition the haunting Abadia From Lower Left 2005 was inspired by a trip to Southern Spain and is an important precursor to a later series of works called The Levant which is based on buildings in the eastern region of the Mediterranean Casebere s photographs have often dealt with themes of social control and the history of institutional spaces The particular works brought together for this exhibition explore the creation and development of certain cultural institutions and practices such as education incarceration and economic relations while pointing to the continuing relationship between our secular and religious histories James Casebere is represented in public and private collections worldwide including the Museum of Modern Art New York the Solomon R Guggenheim Museum New York the Metropolitan Museum of Art New York the Whitney Museum of American Art New York the National Gallery of Art Washington DC the Los Angeles County Museum of Art Los Angeles the Musée d Art Contemporain de Montréal Canada the National Gallery of Canada Ottawa the Goetz Collection Munich Germany the Mukha Museum Antwerp Belgium the Victoria and Albert Museum London England and the Tate Modern London England In addition to his participation in the Seville Biennial Seville Spain and the 2010 Whitney Biennial Casebere has been included in The Pictures Generation exhibition at the Metropolitan Museum of Art in 2009 Haunted Contemporary Photography Video

    Original URL path: http://www.skny.com/exhibitions/2013-10-25_james-casebere/pressrelease/ (2016-02-08)
    Open archived version from archive

  • Sean Kelly Gallery - 'Pataphysics - Selected Works
    Untitled 1999 Ink on paper set of 15 7 7 8 x 4 7 8 inches 20 x 12 4 cm each Jorinde Voigt Piece for Words and Views XX 2012 colored vellum ingres paper pencil and ink on watercolor paper 31 1 2 x 70 7 8 in 80 x 180 cm Marcel Duchamp Bouche Evier Sink Stopper 1964 bronze cast of lead sink stopper 2 5 8 diameter x 7 16 thick 6 7 x 1 1 cm edition of 100 with 12 APs Los Carpinteros Drenaje 2003 watercolor and graphite on paper framed 85 1 8 x 84 7 8 inches 217 5 x 215 3 cm Prev Prev of Next Next Back to Artist Iran do Espírito Santo Street Pole 2008 granite height 82 5 8 inches 210 cm diameter of base 19 inches 48 cm edition of 5 with 2 APs Kris Martin Apocalypse 2013 Found typewriter and etching 10 1 5 16 1 2 11 inches 26 42 28 cm David Shrigley Untitled 1999 Ink on paper set of 15 7 7 8 x 4 7 8 inches 20 x 12 4 cm each Jorinde Voigt Piece for Words and Views XX 2012 colored

    Original URL path: http://www.skny.com/exhibitions/2013-09-13_pataphysics/works/ (2016-02-08)
    Open archived version from archive

  • Sean Kelly Gallery - 'Pataphysics - Checklist
    No Brain 2009 wood hardware hot glue acrylic paint left 75 1 8 x 49 x 4 inches 190 8 x 124 5 x 10 2 cm right 80 1 2 x 30 3 8 x 4 inches 204 5 x 77 2 x 10 2 cm the work is accompanied by a signed certificate of authenticity OBr 1 JONATHAN MONK This Painting Should Be Installed by a Complete Stranger 2011 gold leaf and acrylic on canvas 63 x 43 1 2 x 1 3 4 inches 160 x 110 5 x 4 4 cm JMo 11 Main Gallery west wall MATTHEW RITCHIE the office of completion alpha 2011 oil and ink on linen with vinyl decal framed 74 x 56 inches 188 x 142 2 cm overall 74 x 109 inches 188 x 276 9 cm the work is accompanied by a signed certificate of authenticity MAR 3 MATTHEW RITCHIE the ninth hour beta 2013 oil and ink on linen with vinyl decal framed 74 x 56 inches 188 x 142 2 cm overall 100 x 102 inches 254 x 259 1 cm the work is accompanied by a signed certificate of authenticity MAR 2 RODNEY GRAHAM Mini Psycho Opticon 2008 kinetic sculpture 90 1 2 x 78 3 4 x 86 3 4 inches 229 9 x 200 x 220 3 cm the work is accompanied by a signed certificate of authenticity RGr 1 Main Gallery north wall ALEXANDRE SINGH The Miracle Manna 2012 collage watercolor and graphite on inkjet UltraChrome print framed 45 1 4 x 59 1 2 inches 115 x 151 cm edition of 5 signed by the artist recto ASh 1 KATE GILMORE Sudden as a Massacre 2011 HD video 30 minutes edition of 5 with 2 APs work is accompanied by a signed certificate of authenticity KG 1 LOS CARPINTEROS Drenaje 2003 watercolor and graphite on paper paper 80 3 4 x 80 1 8 inches 205 1 x 203 5 cm framed 85 1 8 x 84 7 8 inches 217 5 x 215 3 cm signed titled and dated by the artists recto LC 28 MARCEL DUCHAMP Rotoreliefs Optical Disks 1953 6 Rotorelief optical discs printed on both sides in color offset lithography on cardboard diameter 7 7 8 inches 20 cm each edition of 1000 MD 49 Main Gallery east wall LAURENT GRASSO Studies into the past animal adhesive resin boiled oil and pigments on wood panel painting 60 1 4 x 71 5 8 inches 153 x 182 cm framed 72 1 2 x 83 7 8 inches 184 x 213 cm the work is accompanied by a signed certificate of authenticity LG P 12 975 MARCEL DUCHAMP Rasée L H O O Q Shaved L H O O Q 1965 Readymade reproduction of the Mona Lisa playing card mounted on dinner invitation card 3 1 2 x 2 1 2 inches 8 9 x 6 4 cm paper 8 1 4 x 5 3 8 inches 21 x

    Original URL path: http://www.skny.com/exhibitions/2013-09-13_pataphysics/checklist/ (2016-02-08)
    Open archived version from archive

  • Sean Kelly Gallery - 'Pataphysics - Press Release
    of the important philosophical movements of the 20th century While existing quietly in the background for decades recent contemporary art has found alignments with its absurdist principles Including works from both contemporary artists and their pataphysical forebearers the exhibition will examine Pataphysics and its legacy in contemporary art First run editions of some of Jarry s books such as his seminal Ubu Roi ou Les Polonais form the cornerstone of the exhibition Marcel Duchamp one of the earliest members of the College de Pataphysiques is represented in the exhibition with several works among them the artist s iconic Rotoreliefs a set of six double sided two dimensional discs that spin to create an illusion of depth More recent explorations of the absurdist nature of the movement are found in Kate Glimore s video Sudden as a Massacre in which a group of women dressed in heels and floral print dresses strenuously pull apart a large block of wet clay hurling handfuls of it at the surrounding environment and in Iran do Espírito Santo s Street Pole a life size recreation of a common street lamp made of solid granite rendering it useless for its original purpose Kris Martin s Apocalypse an antique typewriter with an etching in its carriage embodies the pataphysical conflation of visual and verbal puns Humor is evident in many of the works in Pataphysics A Theoretical Exhibition Slavs and Tatars oversized balloon A Monobrow Manifesto Hot Not uses perceptions of this facial feature as hot or not to demystify the conflict between East and West while Hennessy Youngman the alter ego of artist Jayson Musson created Art Thoughtz a series of YouTube videos in which Youngman directly addresses the audience insightfully critiquing various aspects of the elite art world as a faux outsider Matthew Ritchie s

    Original URL path: http://www.skny.com/exhibitions/2013-09-13_pataphysics/pressrelease/ (2016-02-08)
    Open archived version from archive



  •