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  • Sean Kelly Gallery - Helmut Dorner - Checklist
    inches 47 2 x 57 8 cm HD DR 08 east wall 10 1 03 2003 graphite and color pencil on paper unframed 12 x 16 inches 30 4 x 40 cm framed 18 5 8 x 22 3 4 inches 47 2 x 57 8 cm HD DR 18 2 12 02 2002 graphite and color pencil on paper unframed 12 x 16 inches 30 4 x 40 cm framed 18 5 8 x 22 3 4 inches 47 2 x 57 8 cm HD DR 11 5 6 2 03 2003 graphite and color pencil on paper unframed 12 3 4 x 16 1 2 inches 32 3 x 42 cm framed 18 5 8 x 22 3 4 inches 47 2 x 57 8 cm HD DR 16 Gallery II clockwise from left east wall 8 1 03 2003 graphite and color pencil on paper unframed 12 x 16 inches 30 4 x 40 cm framed 18 5 8 x 22 3 4 inches 47 2 x 57 8 cm HD DR 17 30 1 03 2003 graphite and color pencil on paper unframed 12 3 4 x 17 inches 32 3 x 43 cm framed 18 5 8 x 22 3 4 inches 47 2 x 57 8 cm HD DR 20 11 1 03 2003 graphite and color pencil on paper unframed 12 x 16 inches 30 4 x 40 cm framed 18 5 8 x 22 3 4 inches 47 2 x 57 8 cm HD DR 09 south wall Zeus 2003 lacquer on plexiglas 47 1 8 x 71 x 2 3 4 inches 120 x 180 x 7 cm HD 14 west wall Stones 2003 lacquer on wood and canvas 45 3 4 x 76 3 4 x 2 3 8 inches 116 x 195 x 6 cm HD 8 north wall Forst 2003 oil on wood and canvas 20 1 4 x 15 1 4 x 2 inches 51 4 x 38 7 x 5 5 cm HD 5 27 11 02 2002 graphite and color pencil on paper unframed 14 1 8 x 19 inches 35 8 x 48 2 cm framed 20 x 24 3 4 inches 50 8 x 62 8 cm HD DR 01 27 11 02 2002 graphite and color pencil on paper unframed 11 3 4 x 15 3 4 inches 39 8 x 40 cm framed 18 5 8 x 22 3 4 inches 47 2 x 57 8 cm HD DR 19 Hallway 12 1 03 2003 graphite and color pencil on paper unframed 12 x 15 3 4 inches 30 4 x 40 cm framed 18 5 8 x 22 3 4 inches 47 2 x 57 8 cm HD DR 15 Main Gallery clockwise from left north wall 31 1 03 2003 graphite and color pencil on paper unframed 12 3 4 x 16 1 2 inches 32 3 x 42 cm framed 18 5 8 x 22 3 4 inches

    Original URL path: http://www.skny.com/exhibitions/2003-05-23_helmut-dorner/checklist/ (2016-02-08)
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  • Sean Kelly Gallery - Helmut Dorner - Press Release
    Staatliche Akademie der Bildenden Künste Karlsruhe Germany since 1990 Helmut Dorner s exhibition is comprised of a major body of new paintings that both employs and expands upon the lexicon of abstract painting Whilst Dorner s work has been identified as referencing the Romantic tradition in German art as typified by such diverse artists as Casper David Friedrich Joseph Beuys and Gerhard Richter it is perhaps more accurate to reflect upon his interests in the work of painters as various as Gustave Courbet and Robert Ryman and the poetic aspirations of artists such as Blinky Palermo and Richard Tuttle Dorner s recent paintings are complex interventions utilizing a Plexiglas substrate rather than the more typical materials of canvas or linen The works are created with successive layers of lacquer that exploit the correspondences and harmonies of seemingly discordant colors and forms The resultant works challenge traditional precepts of painterly space the function of the act of painting itself and widely held conventions of aesthetic beauty Dorner s use of Plexiglas allows the viewer not only to look at the work but also through the work a metaphor for looking within oneself for inspiration in interpreting the meaning of his paintings

    Original URL path: http://www.skny.com/exhibitions/2003-05-23_helmut-dorner/pressrelease/ (2016-02-08)
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  • Sean Kelly Gallery - Thomas Joshua Cooper - Checklist
    36 inches 71 x 91 5 cm framed 31 x 39 inches 78 7 x 99 cm TJC 175 The Mid North Atlantic Ocean Near Punto Ginés The Isle of Lanzarote Near the West most point of the Island The Canary Islands Spain 2002 silver gelatin print edition of 3 with 3 APs mat 28 x 36 inches 71 x 91 5 cm framed 31 x 39 inches 78 7 x 99 cm TJC 167 Main Gallery clockwise Furthest North Cloud Horizon El Rio y El Atlantico La Punta Mirador de Rio and Punta Fariones The Isle of Lanzarote The North most point of the Island The Canary Islands Spain 2002 silver gelatin print edition of 3 with 3 APs mat size 40 x 52 inches 102 x 133 cm framed 43 x 55 inches 109 x 140 cm TJC 183 The North most Point The North Atlantic Ocean Malin Head County Donegal Ireland 1992 2003 The North most point of Ireland Malin silver gelatin print edition of 3 with 3 APs mat 28 x 36 inches 71 x 91 5 cm framed 31 x 39 inches 78 7 x 99 cm TJC 174 The Mid North Atlantic Ocean Punta de la Calera The Isle of La Gomera The West most point of the Island The Canary Islands Spain 2002 Very probably the last Old World Land site seen by Columbus and crew on their first transatlantic voyage out in search of the New World silver gelatin print edition of 3 with 3 APs mat 28 x 36 inches 71 x 91 5 cm framed 31 x 39 inches 78 7 x 99 cm TJC 166 The Mid North Atlantic Ocean Near Ponta do Tristão The Isle of Madeira Near the North most point of the Island Portugal 2002 silver gelatin print edition of 3 with 3 APs mat 28 x 36 inches 71 x 91 5 cm framed 31 x 39 inches 78 7 x 99 cm TJC 170 The Mid North Atlantic Ocean Ponta de Gaivotes Isle of Madeira The East most point of the Island Portugal 2002 2003 silver gelatin print edition of 3 with 3 APs mat size 40 x 52 inches 102 x 133 cm framed 43 x 55 inches 109 x 140 cm TJC 189 Near The East most Point Dublin Bay and The Irish Sea 40 Men Sandy Cove Dublin Ireland 2002 2003 Irish Sea Among many others this was James Joyce s favorite bathing place in Ireland silver gelatin print edition of 3 with 3 APs mat size 40 x 52 inches 102 x 133 cm framed 43 x 55 inches 109 x 140 cm TJC 188 Furthest North The Mid North Atlantic Ocean Faro de Alegranza Punta Delgada The Isle of Alegranza The North most Island in the Canarian Archipelago The East most point of the island and near the North most point Lanzarote The Canary Islands Spain 2002 silver gelatin print edition of 3 with 3 APs mat size 40

    Original URL path: http://www.skny.com/exhibitions/2003-04-05_thomas-joshua-cooper/checklist/ (2016-02-08)
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  • Sean Kelly Gallery - Thomas Joshua Cooper - Press Release
    5th century The final image of the exhibition is Faro Orchillo on the Isle of El Hierro the western most point on the Canary Islands which was once literally and is now metaphorically at the edge of the world Cooper continues to be interested in the cultural and geographic changes that occur when old explorer routes are retraced and how this retracing leads to a new recognition of how we think and feel about place define ideas of home and engage with historical spaces Using an 1898 field camera and making only one image of each location Cooper composes his images so that the scale of the composition is not always immediately apparent The printing of the pieces further enhances the intensely emotive nature of his work Cooper s technical mastery of the photographic medium is renowned The images are subtly under painted with selenium and gold resulting in blue and maroon tones in the photographic printing process Cooper s editions are usually limited to a maximum of three prints all of which he makes himself however his painterly process ensures that each print is effectively unique Thomas Joshua Cooper was born in San Francisco in 1946 Cooper is a

    Original URL path: http://www.skny.com/exhibitions/2003-04-05_thomas-joshua-cooper/pressrelease/ (2016-02-08)
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  • Sean Kelly Gallery - Callum Innes - Checklist
    inches 70 x 62 cm CI 41 03 Exposed Painting Iridescent White 2002 oil on linen 27 1 2 x 24 1 2 inches 70 x 62 cm CI 38 03 Exposed Painting Iridescent White 2002 oil on linen 27 1 2 x 24 1 2 inches 70 x 62 cm CI 37 03 Gallery II clockwise from left north wall Untitled 2002 Oil on canvas and shellac 89 1 2 x 87 1 2 inches 227 5 x 222 5 cm CI 70 02 east wall Resonance XXIII 2002 oil on canvas 67 x 63 inches 170 x 160 cm CI 53 03 Main Gallery clockwise from left north wall Exposed Painting Scheveningen Black Violet 2003 oil on canvas 95 1 2 x 91 1 2 inches 242 5 x 232 5 cm CI 51 03 east wall Exposed Painting Scheveningen Black 2002 2003 oil on canvas 95 1 2 x 91 1 2 inches 242 5 x 232 5 cm CI 5 03 Exposed Painting Scheveningen Black 2002 2003 oil on canvas 95 1 2 x 91 1 2 inches 242 5 x 232 5 cm CI 8 03 south wall Exposed Painting Scheveningen Black 2002 2003 oil

    Original URL path: http://www.skny.com/exhibitions/2003-02-22_callum-innes/checklist/ (2016-02-08)
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  • Sean Kelly Gallery - Callum Innes - Press Release
    seemingly monochromatic single pigment This interplay between the additive and subtractive processes making and unmaking underlies this ground breaking and sophisticated body of work The lyrical and luminous paintings that result are both conceptually complex and evocative The Scheveningen Black paintings are complimented by a group of medium sized exposed paintings in the second gallery including a single shellac painting and intimate white on white paintings in the first gallery Working within an abstract tradition closely linked to minimalism Innes strategy is to limit his vocabulary to explore the inherent possibilities of his process While the technique and action of painting is present in all of Innes paintings it is not the sole subject of the work It is perhaps more accurate to posit his work within conceptual practices rather than within the strictly painterly precedents of minimalism and abstract expressionism Innes has emerged as one of the most significant abstract painters of his generation achieving widespread recognition through major solo and group shows worldwide Innes was awarded the Jerwood Prize for Painting in 2002 and the Nat West Prize in 1998 In 1995 he was shortlisted for both the Turner Prize and the Jerwood Prize for Painting Forthcoming exhibitions

    Original URL path: http://www.skny.com/exhibitions/2003-02-22_callum-innes/pressrelease/ (2016-02-08)
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  • Sean Kelly Gallery - upon reflection.... - Checklist
    x 9 x 5 inches 38 1 x 22 9 x 12 7 cm LB 28 Corridor JEFF KOONS Donkey 1997 high chromium stainless steel edition of 50 17 50 24 x 18 1 4 x 1 inches 61 x 46 3 x 2 5 cm JKo 360 17 Gallery II clockwise center of gallery PIA STADTBÄUMER Max lamb mirror 2000 zellan taxidermied lamb mirror vinyl paint string 47 1 4 x 16 1 2 x 8 inches 120 x 42 x 20 5 cm PS 12 south wall JAMES CASEBERE Four Flooded Arches from Right 1999 cibachrome mounted to Plexiglas edition of 5 1 5 60 x 48 inches JC 87 2 north wall ALFREDO JAAR It is difficult 2002 lightbox with black and white transparency edition of 10 1 10 14 x 20 x 3 1 2 inches AJ 1003 east wall DOUGLAS GORDON Monster in the Making 1995 Betatape transferred to DVD edition of 11 with 4 AP s AP1 AP4 DG 18 ROBERT SMITHSON Mirror Displacement 1969 six black white photographs in 1 frame unique 11 1 4 x 28 1 2 inches 28 5 x 72 3 cm RSm 17689 Main Gallery clockwise center of gallery CHRISTINE BORLAND Spirit Collection Hippocrates 1999 100 glass vessels each containing liquid and one skeleton leaf with wire cords for hanging edition of 2 2 2 Each vessel H 8 in D 5 1 2 inches Installation dimensions variable CB 14 2 north wall IRAN do ESPIRÍTO SANTO Restless 17 2002 sanded glass and bitumen 83 x 51 inches 210 x 129 cm IdES 1959 east wall JULIÃO SARMENTO Where Speech Could Have Been Transcribed 2001 mixed media on canvas 74 3 4 x 86 1 2 inches 190 x 220 cm JS 1527 DOUGLAS GORDON Retrace your Steps

    Original URL path: http://www.skny.com/exhibitions/2003-01-10_upon-reflection/checklist/ (2016-02-08)
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  • Sean Kelly Gallery - upon reflection.... - Press Release
    of displacement in the viewer Donkey a high chromium stainless steel silhouette of a donkey s head by Jeff Koons and Richard Rezac s untitled a nickel plated bronze slice of Swiss cheese use humor to negotiate the complex issues of mirrors Douglas Gordon s Retrace your Steps Remember Tomorrow 1999 is 5 foot square mirror with texts that read Retrace your Steps and Remember Tomorrow in reverse In Spirit Collection Hippocrates 1999 by Christine Borland numerous drop shaped glass containers are filled with single bleached skeletal leaves floating in a clear liquid solution The leaves originate from a tree grown from the seed of a Plane tree from Kos in Greece under which Hippocrates the father of medicine taught his first students A metaphorical descendent of the tree of knowledge this sapling physically embodies the epitome of the Hippocratic oath and alludes to the complexities of exploring the family tree the starting point of all genetic research Four Flooded Arches from Right 1999 by James Casebere focuses on the relationship between social control and societal structure For her reflections series 1999 2000 Ann Hamilton stood behind a wall of water glass and had her photograph taken every 5 minutes for an hour each image ameliorated only by the changing light In Where Speech Could Have Been Transcribed 2001 by Julião Sarmento two female figures who may or may not be he same character sit at opposite sides of a table with an object between them which may or may not be a mirror The viewer s role in completing the narrative is essential Robert Smithson s Mirror Displacement 1969 is six black and white photographs taken with a Brownie camera of a mirror placed in various locations on a snowy rooftop In the Douglas Gordon video Making of the

    Original URL path: http://www.skny.com/exhibitions/2003-01-10_upon-reflection/pressrelease/ (2016-02-08)
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