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    home profile concerts recordings support links contact Julian Perkins Andrew Radley Photo Benjamin Harte Copyright 2012 Julian Perkins All rights reserved

    Original URL path: http://www.soundsbaroque.com/ (2016-02-14)
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  • profile
    on BBC Radio 3 and have appeared at London s Southbank Centre and at international festivals in Cheltenham London Ryedale Tel Aviv Two Moors and York They have given world premières of works by Paul Ayres Stephen Dodgson and Iain Farrington and often stage educational projects in conjunction with performances January 2014 saw the release of their second disc for Avie Records Entitled CONVERSAZIONI II Duelling Cantatas it explores the

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  • programmes
    Julian Perkins with Sounds Baroque and directed by Pia Furtado Music will include one of Handel s grand overtures on the organ and his Deutsche Arien in which God is manifest in the beauty of creation 2014 5 Octobe r 11 30am Arcadian Delights E ast Mersea Church St Edmund King and Martyr Church Lane CO5 8TJ Handel Arias from Neun Deutsche Arien Purcell Suite from The Tempest Rameau Concert from Pièces de Clavecin en Concert S C V Dodgson Plush and Roses Handel Arias from The Triumph of Time and Truth Julian Perkins harpsichord Anna Dennis soprano Sarah Moffatt violin Henrik Persson viola da gamba 17 October 2 30pm Sounds Baroque Two Moors Festival St Pancras s Church Widecombe in the Moor Handel Süße Stille sanfte Quelle Purcell Suite from The Tempest Rameau Concert from Pièces de Clavecin en Concert S C V Dodgson The Worm The Snail and the Butterfly Iain Farrington Ariel Songs Handel Flammende Rose Zierde der Erden Julian Perkins harpsichord Anna Dennis soprano Sarah Moffatt violin Henrik Persson viola da gamba 27 January 2013 Purcell Room London CONVERSAZIONI II Duelling Cantatas Anna Dennis soprano Andrew Radley countertenor Julian Perkins director harpsichord organ 24 February 2013

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  • recordings
    music presented at the artistic gatherings of 18th century Rome s Arcadian Academy Soprano Anna Dennis and countertenor Andrew Radley engage in a vocal contest of style and beauty while period instrumentalists Sounds Baroque breathe vibrant life into spirited scores by Caldara and Domenico Scarlatti REVIEWS Performer s Perspective Conversazioni I Cantatas from a Cardinal s Court Works by Albinoni Caldara Handel and Alessandro and Domenico Scarlatti Sounds Baroque Andrew Radley countertenor Julian Perkins director 2011 Avie Records AV2197 The first in a series of recordings with Avie Records entitled Conversazioni exploring the wealth of vocal and instrumental music that may have been conceived for artistic gatherings or conversazioni in Rome at the turn of the eighteenth century Conversazioni I was launched with an acclaimed concert at London s Southbank Centre on July 28th 2011 The CD features cantatas that vacillate between the despair of unrequited love and the delights of Arcadian bliss an instrumental overture that typifies the classical restraint of the early Italian Baroque style and virtuosic keyboard pieces The CD is available directly from Avie Records Samples Left click a title to launch it in your player The final aria from Antonio Caldara s cantata Clori mia

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  • support
    Sounds Baroque like many other musical ensembles depends heavily on the support of friends and sponsors If you would like to help us to continue to explore and perform the wonderful music from around the turn of the 18th century

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  • links
    concerts recordings support links contact Julian Perkins Andrew Radley Avie Records BBC Radio 3 Cantata Editions Classic FM National Centre for Early Music Trevor Pinnock Copyright 2012 Julian Perkins All

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  • contact
    clapped that kind of laughter which expresses not humour but joy and delight and wonder Baroness Rendell of Babergh on our concert at the Palace of Westminster Artistic Director Julian Perkins E mail julian dot perkins at virgin dot net

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  • Reviews Conversazioni 2
    young Handel showing off his keyboard virtuosity and his startlingly dramatic vocal writing Sounds Baroque have put together a fine programme The Gasparini cantata has a ravishing pastoral duet at its heart with pifferarian drone effects Caldara s trio sonata is elegantly and elegiacally contrapuntal while Alessandro Scarlatti s cantata a due has characteristically smooth and subtle word setting note the beautifully handled dying close The well known keyboard contest between the younger Scarlatti and his exact contemporary Handel is convincingly reconstructed a first appearance on disc with a pair of sonatas apiece It is however Handel s extended dramatic scena that crowns the proceedings with the hectic chase of its overture precipitately interrupted and completed with a suave major key minuet this latter returns neatly at the end but in the minor key and with the participants singing in strict for Handel canon symbolising their continuing separation In between are four contrasting arias Daliso s lovely E vanita d un cor is particularly haunting These performances are wholly alluring I especially enjoyed Anna Dennis s hard to get Amarilli The continuo team are spot on both supportive and stimulating under Julian Perkins s expert direction David Vickers s scholarly sleevenotes admirably complete a splendid recording Early Music Review As for the performance the disc is excellent fully the equal of its predecessor Countertenor Andrew Radley has a nice dark rich voice which pairs nicely with the smooth and clear soprano of Anna Dennis The accompaniment is well done as well never obscuring the vocal lines it is an excellent complement to the first of these musical conversations and certainly belongs in any Arcadian collection Fanfare Sounds Baroque follow their debut album 10 11 with another engaging snapshot of the Arcadian Academy s Sunday afternoon conversations magnets for the Roman

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