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  • theatercombinat : some democratic fictions
    participants of the REFLECTION ZONE doa aly was born in cairo egypt in 1976 she attended the faculty of fine arts helwan university in cairo and earned her bfa in painting in 2001 her selected group exhibitions include snap judgements at the international center of photography new york city the 7th dakar biennial in 2006 the maghreb connection centre d art contemporain genève in focus at tate modern london recognize at the contemporary art forum london port city at the arnolfini museum bristol in 2007 the 3rd guangzhou triennial the guangdong museum of art cairoscape at the kunstraum kreuzberg bethanien berlin photocairo4 cairo in 2008 the 11th istanbul biennial in 2009 the future of tradition at haus der kunst munich the 7th busan biennale in 2010 meeting points 6 at beirut art center and argos brussels in 2011 the ungovernables at the new museum nyc new york 2012 eva international 2014 limmerick city ireland and dancing light at the huis marseille museum of photography in amsterdam aly s most recent one person exhibitions were in 2010 at darat al funun amman the townhouse gallery and gypsum gallery in cairo in 2010 and 2013 kaya behkalam is a visual artist and filmmaker born in berlin germany and living in cairo egypt he is a phd candidate in visual arts at the bauhaus university weimar after perceiving his mfa in media art at the university of arts berlin since 2012 he is an assistant professor of art at the american university in cairo where he is also the director of the sharjah art gallery he is the co founder of the artist group reloading images an initiative that works on collective projects of artistic research his video installation and text based works explore the entanglements of historiography image politics performativity and perception among other places his works have been shown at the hkw and martin gropius bau berlin berlinische galerie queens museum new york reina sofia museum madrid azad gallery tehran kunstverein heidelberg the 3rd guangzhou triennial idfa amsterdam and the kurzfilmtage oberhausen his film excursions in the dark has been awarded with the dialogue award 2012 at the european media art festival emaf abdalla daif is a writer theatre director and cultural manager based in alexandria he has been working in theatre since 1997 he was involved in the organisation of the first independent theatre festival in alexandria and has also worked as a researcher at egypt s national centre for theatre music and folkore since 2004 he works as programme manager at gudran association for art and development he works using art as a tool for social transformation encouraging audiences to discover imagine and co create possible new scenarios of social life abdalla has worked with different local communities and groups in egypt italy jordan france germany malta and cyprus ezz darwiesh has been working in theater since 2001 as writer director and dramaturge he presented lots of performances which participated in many international festivals like thoughts in my mind café room of mice wrinkles voice print time of shadow he also worked as a script writer in a few short drama movies and documentaries and started to write poems and novels in the last few years since the begining of the revolution he is a political activist shady elnoshokaty is a contemporary egyptian artist he studied at helwan university the faculty of art education and graduated in 1994 ever since he became a teacher of drawing painting and media arts in the same university and at the visual arts department in the american university in cairo he received his phd in philosophy of art education and has started his career path through his first project the bed 1994 1997 which had a big collection of huge paintings that have clearly personal and expressive touches after that there has been numerous paintings that reflect abstraction using the techniques of the collage and assemblage called the body 1997 1999 and a number of empirical projects by installations and one of them got to be displayed at venice biennale in 1999 in 2001 he started several projects in video art and installations in the school of art institute of chicago his projects like the tree of my grand mother s house zahr elbanafseg and stammer have been displayed in the biggest museums and exhibitions halls in the world such as museums of contemporary arts e g new york stockholm dusseldorf mori art museum in tokyo pompidou center in paris tate gallery and hayward gallery in london ismail fayed is a writer and researcher based in cairo he has been researching and writing on contemporary artistic practices since 2007 his writings have been featured in arteeast mada masr ma3azef amca and other publications currently he is part of a team that is working on editing and translating the online encyclopedia of modern arab art published by mathaf arab museum of modern art paul geday is a cairo based visual artist photographer filmmaker and curator he has also long worked as a publisher and has created the cairoscope and the egypt almanac geday curated studio viennoise and his films have been shown at the berlinale in 2014 he had his last solo show on the road and published the book l illusion de la mer recently futuropolis iii back to the origins the last in a series of exhibitions dedicated to the city was on show at saad zaghloul cultural center cairo huda lutfi works like an urban archeologist constantly digging up found objects and images as loaded fragments of history she then re packages them using bricolage and collage as interceptive strategies recognizable objects images and icons are re contextualized and made to tell a different story playing on collective memory and shared iconography lutfi blurs cultural timelines and boundaries in her work multi layered and playful lutfi is known to work with a wide range of media collage installations assemblages and more recently with photomontage and video trained as a cultural historian

    Original URL path: http://www.theatercombinat.com/projekte/sdf/tms_cairo.htm (2016-02-15)
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  • theatercombinat : what about catastrophes?
    staat geschichte identität in städten wie new york kairo tunis frankfurt zagreb tel aviv brüssel und beirut entstanden ist foto claudia bosse choreografie raum installation konzept claudia bosse sound video günther auer mit von nathalie rozanes alexandra sommerfeld florian tröbinger kostas tsioukas elizabeth ward technische leitung mitarbeit raum marco tölzer dramaturgie fanti baum bekleidung lila john kommunikation anna etteldorf hospitanz andreea zelinka assistenz endproben stella reinhold presse TQW und sky unlimited training ziya azazi caroline decker produktionsleitung margot wehinger eine produktion von theatercombinat in koproduktion mit tanzquartier wien gefördert von wien kultur what about catastrophes ist teil des gesamtprojekts katastrophen 11 15 ideal paradise projektpartner sind tanzquartier wien FFT düsseldorf gefördert von wien kultur unterstützt von kunststiftung NRW und NPN nationales performance netz im rahmen der serie DECOLONIZE performative strategien für ein post koloniales zeitalter ashkal alwan CLUSTER szenenwechsel robert bosch stiftung österreichische und schweizer botschaft in athen fotos elsa okazaki antonia wagner strauss für fotostrecke bitte klicken fotos elsa okazaki antonia wagner strauss für fotostrecke bitte klicken uraufführung what about catastrophes 10 april 2014 20 30h weitere aufführungen 11 12 13 april 20 30h gespräch mit claudia bosse und kai van eikels im anschluss an die vorstellung am 11 april ort halle G museumsquartier wien museumsplatz 1 1070 wien video full version günther auer NEXT STEPS PERFORMANCE am 20 und 21 märz 2015 findet im wiener tanzquartier die österreichische erstaufführung von catastrophic paradise statt PERFORMANCE catastrophic paradise ist im september 2015 bei zeitraumexit in mannheim im rahmen des festivals wunder der prärie zu sehen BISHER method body lecture von claudia bosse im rahmen von scores intact bodies die installation thoughts meet space im mai juni 2013 fand in 18 verschiedenen räumen der ehemaligen zollamtskantine in wien statt die dafür verwendeten interviews stehen in konfrontation mit medialen szenarien von realität erstmals wurde hier die mehrheit des archivierten materials für die künstlerische operation thoughts meet space verwendet als ein virtueller raum von dreidimensionalen gedanken begleitet von 2 performances in der installation the breath of thoughts and death sowie closing act in koproduktion mit tanzquartier wien die installation thoughts meet space beirut im oktober 2013 war eine fortsetzung dieses künstlerischen verfahrens und präsentierte teile des archivmaterials sowie in beirut entstandene bilder und objekte sowie interviews in valid bodies vortrag claudia bosse im november 2013 im rahmen des symposiums public bodies FFT düsseldorf und heinrich heine universität showing und diskussion im dezember 2013 der proben von what about catastrophes im rahmen des seminars ästhetik und poetik performancetheorie und praxis der universität wien monika meister daniela pillgrab katastrophen momente des umschlags im dezember 2013 war ein research workshop von claudia bosse im tanzquartier wien in einer einwöchigen arbeitssituation begegnete sich eine gruppe künstler und theoretiker um sich aus ihrer jeweiligen künstlerischen kompositorischen urbanistischen oder philosophischen praxis und ausgehend von ihren methoden und materialien mit der funktion und der struktur der katastrophe in unserer gesellschaft zu beschäftigen mit günther auer claudia bosse alain franco omar nagati sandra noeth und marcus steinweg im april 2014 uraufführung

    Original URL path: http://www.theatercombinat.com/projekte/katastrophen/KAT_tqw_neu.htm (2016-02-15)
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  • theatercombinat : cheap method edition
    zrinka tatomir 208 vladimir tatomir 210 tomislav lu kacic INSTALLATION VIEWS 212 233 234 imprint language english pages 94 binding softcover ISBN 9782940524136 price 12 EUR new zagreb the museum of contemporary art MSU its space collection and environment and the unique concept of its urbanism were the starting points of the artistic research project called biographical landscapes of new zagreb by claudia bosse and was conceived through field research including the analysis of actual experiences of urbanism in new zagreb based on the memories and lifestyles of its inhabitants invited by EUROKAZ and MSU to develop a project for the museum and its surroundings claudia bosse and günther auer collaborated on visiting living spaces apartments in different urban areas of new zagreb in december 2011 in march 2012 they interviewed the inhabitants on issues such as democracy capitalism and identity these experiences resulted in the research project which became part of the museum s live installation and an arttransfer between the museum and private living spaces in may 2012 claudia bosse developed choreographies with ten people living in new zagreb daily routines enacted on the floor plans of their actual apartments by repeating the motions of daily activities and well trodden trajectories across the apartment the dwelling space was ritually reconstructed in july inhabitants from different generations brought seven apartments displayed in their original size to life in the museum the projections of their interviews and multiple private documents were exhibited at the same time art pieces selected by claudia bosse in collaboration with tihomir milovec were placed in the apartments of the participants a transfer of contexts and connections a re reading of the art pieces and the particular living space adjustment and collision a recontextualisation of the artwork and the private spaces the life of the inhabitants wanders as biographical archive across the bodies actions and narrations into the museum in this publication i want to share the research including transcripts of the interviews and photographed details of the flats and their surroundings in new zagreb followed by views of the installation in the museum and biographical pictures of the participants an interview done in the research phase with the architect vinko uhlik who was a member of the architectural team that developed parts of new zagreb is published here as well with this publication I try to give an insight into my artistic process claudia bosse with sovjetka horvat and petra fabro svjetlana lugar siniša glogoski jadranka and ivan alic zrinka and vladimir tatomir franka horvat and aleksandar kondic and tomislav lukacic artworks exposed in the privat spaces by boris bucan braco dimitirjevic ivan ladislav galeta zeljko jerman ivan picelj ivan posavec mladen stilinovic and mio vesovic editor claudia bosse editorial assistant martina maggale copy editor kristen mueller graphic design anne lange FIRST ISSUE struggling bodies in capitalist societies democracies published by CHEAP METHOD EDITION motto books theatercombinat STRUGGLING BODIES IN CAPITALIST SOCIETIES DEMOCRACIES a publication series of political hybrids 03 editorial by claudia bosse S

    Original URL path: http://www.theatercombinat.com/publication/cheapmethod/cheapmethod_en.htm (2016-02-15)
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  • theatercombinat : lesSOUTERRAINs!
    hatten künstler ohne proberaum kurzfristig die möglichkeit ihre arbeiten in derraum weiterzuentwickeln am 29 november 2013 eröffnete lesSOUTERRAINs mit einem open house und drei einzigartigen performances von elizabeth ward rosi rehformen und hannes wurm alias fishy und andreas hamza vitus dance by elizabeth ward US framed by arabesques pirouettes and jetés vitus dance investigates a purposeful destabilizing of the body through extended balances and the ability to shift into a lucid stability infinitely adaptable vitus dance has been presented in an old convent in the north of france a former factory in barcelona various apartments in brussels an old elk s lodge in brooklyn a former spice factory in detroit a church in manhattan and is now going to be shown for the first time in austria using deep body memory from classical training vitus dance is a traveling meditation on the potential if fleeting moments of insight resilience and energy found in the dancing body hakebükken by rosi rehformen HU AT dein ort mein ort lation lokalisation mit klang cello und stimme manipulisation sonic in your mine eye and eye spatialization with cello and other means far away so close by hannes wurm andreas hamza AT als kind und

    Original URL path: http://www.theatercombinat.com/tc-chronik/lesSOUTERRAINs.htm (2016-02-15)
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  • theatercombinat : some democratic fictions
    the floor not all of them the ones interviewed on site are hanging in the space the sound in the space consits of voices from beirut israel which is always controversial here but also very important to listen to israeli voices critical to the system cairo new york and scraps of music in order to listen you have to go close to the windows up the sounding platforms close to the images or into the cardboard claudia bosse 24th october 2013 photo claudia bosse concept archive installation claudia bosse collaboration sound media support günther auer assistance communication marijeta karlovic zagreb beirut production since beirut margot wehinger in beirut interviews were made with stefan bakmandandersen fadi hennawi nisreen kaj nagham abboud mikko mäki christine thome monika borgmann vicken vincent avakian mariam mosleh victoria lupton alexandre paulikevitch monika halkort diana menhem ghassan maasri patricia nabti abdelrahim alawji marwa arsanios amal issa a coproduction by theatercombinat supported by wien kultur residency supported by BMUKK some democratic fictions BEIRUT 7th 31th october 2013 research residency at ashkal alwan in beirut with the presentation of parts of the archive of some democratic fictions and on site developed materials as an installation and lecture between 24th 30th october 2013 call for participation location ashkal alwan jisr el wati street 90 building 110 1st floor beirut 2066 8421 lebanon an archive is a situation an archive is constituted from a collection of things thoughts and concepts an archive is a constellation of material of documents it is fluid each constellation of its material recreates the criteria of its readability its narratives and combinations each constellation of the documents and materials re informs the documents themselves because the presence of the document with other documents is the present of its constellation and the present of its interpretation in this space at this precise moment an archive is always the present of its perception working notes claudia bosse VERSIONS OF PUBLISHING THE SOME DEMOCRATIC FICTIONS MATERIAL AS TEMPORARY ARCHIVE UNTIL NOW after the use of the american interviews in the installation dominant powers landscapes of unease may 2011 in and outside the cartographic institute vienna some egyptian interviews became a part of the performance dominant powers what is to be done then in vienna and tunis as well as in zagreb museum of contemporary art accompanied and intermingled with the installation biographical landscapes of new zagreb this installation explored the concrete urban environment of new zagreb with the help of some residents their memories and the conditions of their lives the interviews of the local participants where encountered in the space of the museum with some other produced earlier in egypt in february 2012 the archive was partially used in the public space installation and performance burning beasts in frankfurt for this project in the displaced car bodies inside the city centre audio interview material of the archive was implemented together with sounds of music and descriptive reconstruction of media pictures representing failure of political orders thoughts meet space

    Original URL path: http://www.theatercombinat.com/projekte/sdf/tms_beirut.htm (2016-02-15)
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  • theatercombinat : some democratic fictions
    via different perspectives photo claudia bosse click to view the photo series of examples for projects using the some democratic fictions material new york january february 2011 cairo october 2011 alexandria october 2011 tunis january 2012 frankfurt february 2012 tel aviv may 2012 jerusalem may 2012 brussels matonge april 2013 beirut october 2013 beirut oktober 2013 athens october 2014 cairo january february 2015 concept archive installation claudia bosse collaboration sound media support guenther auer production since beirut margot wehinger the researches have been supported by watermill centre new york museum for contemporary art zagreb MSU goethe institut goethe institut alexandria and tel aviv austrian cultural forum cairo frankfurter kunstverein ashkal alwan beirut CLUSTER szenenwechsel Bhive athens and others a coproduction by theatercombinat supported by wien kultur supported by BKA and by szenenwechsel robert bosch foundation VERSIONS OF PUBLISHING THE SOME DEMOCRATIC FICTIONS MATERIAL AS TEMPORARY ARCHIVE UNTIL NOW after the use of the american interviews in the installation dominant powers landscapes of unease may 2011 in and outside the cartographic institute vienna some egyptian interviews became a part of the performance dominant powers what is to be done then in vienna and tunis as well as in zagreb museum of contemporary art accompanied and intermingled with the installation biographical landscapes of new zagreb this installation explored the concrete urban environment of new zagreb with the help of some residents their memories and the conditions of their lives the interviews of the local participants where encountered in the space of the museum with some other produced earlier in egypt in february 2012 the archive was partially used in the public space installation and performance burning beasts in frankfurt for this project in the displaced car bodies inside the city centre audio interview material of the archive was implemented together with sounds

    Original URL path: http://www.theatercombinat.com/projekte/sdf/sdf_engl.htm (2016-02-15)
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  • theatercombinat : designed desires
    politische theorie körper zwischen 25 und 76 als körperlandschaften in einem netzwerk simultan bespielter räume einer transparenten 70er jahre architektur ein intimer dialog zwischen tanzenden darstellenden und zuschauenden über den körper als ort von begehren und politischen entscheidungen beschriebene oberfläche und ressource der eigenen handlungsfähigkeit designed desires ist der dritte teil der serie der politischen hybride in zusammenarbeit mit soundkünstler günther auer eine spurensuche politischer selbstverständnisse in den körpern kapitalistischer gesellschaften nach dominant powers was also tun einer installativen performance mit versionen in wien tunis und zagreb ist designed desires nun schauplatz un möglicher gemeinschaften foto claudia bosse für fotostrecke bitte klicken foto elsa okazaki für fotostrecke bitte klicken von mit véronique alain caroline daish yoshie maruoka tara silverthorn alexandra sommerfeld florian tröbinger sowie peter christian dworzak bozena kunstek susanna peterka eva maria schmid ilse urbanek christa zuna kratky konzept choreografie raum claudia bosse sound günther auer dramaturgie tobias gerber umsetzung lichtobjekte bauten technische leitung marco tölzer bekleidung vladimir miller in zusammenarbeit mit lila john dramaturgische begleitung christine standfest beratung evelyn annuß regieassistenz marijeta karlovi soundassistenz luka bosse training caroline decker michael o connor iva rohlik presse SKYunlimited produktionshospitanz margot wehinger produktionsassistenz anna etteldorf produktionsleitung serena laker eine produktion von

    Original URL path: http://www.theatercombinat.com/projekte/designed%20desires/designeddesires.htm (2016-02-15)
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  • theatercombinat : (katastrophen 11/15) ideal paradise
    leitung claudia bosse medien sound günther auer technische leitung marco tölzer kommunikation anna etteldorf beratung fanti baum produktion margot wehinger ein projekt von theatercombinat projektpartner sind tanzquartier wien FFT düsseldorf gefördert von wien kultur unterstützt von kunststiftung NRW und NPN nationales performance netz im rahmen der serie DECOLONIZE performative strategien für ein post koloniales zeitalter ashkal alwan CLUSTER szenenwechsel robert bosch stiftung österreichische und schweizer botschaft in athen NEXT STEPS PERFORMANCE am 20 und 21 märz 2015 findet im wiener tanzquartier die österreichische erstaufführung von catastrophic paradise statt PERFORMANCE catastrophic paradise ist im september 2015 bei zeitraumexit in mannheim im rahmen des festivals wunder der prärie zu sehen BISHER method body lecture von claudia bosse im rahmen von scores intact bodies die installation thoughts meet space im mai juni 2013 fand in 18 verschiedenen räumen der ehemaligen zollamtskantine in wien statt die dafür verwendeten interviews stehen in konfrontation mit medialen szenarien von realität erstmals wurde hier die mehrheit des archivierten materials für die künstlerische operation thoughts meet space verwendet als ein virtueller raum von dreidimensionalen gedanken begleitet von 2 performances in der installation the breath of thoughts and death sowie closing act in koproduktion mit tanzquartier wien die installation thoughts meet space beirut im oktober 2013 war eine fortsetzung dieses künstlerischen verfahrens und präsentierte teile des archivmaterials sowie in beirut entstandene bilder und objekte sowie interviews in valid bodies vortrag claudia bosse im november 2013 im rahmen des symposiums public bodies FFT düsseldorf und heinrich heine universität showing und diskussion im dezember 2013 der proben von what about catastrophes im rahmen des seminars ästhetik und poetik performancetheorie und praxis der universität wien monika meister daniela pillgrab katastrophen momente des umschlags im dezember 2013 war ein research workshop von claudia bosse im tanzquartier wien in einer einwöchigen arbeitssituation begegnete sich eine

    Original URL path: http://www.theatercombinat.com/projekte/katastrophen/katastrophen.htm (2016-02-15)
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