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  • Cito | Hans Tutschku
    intuitive Music Weimar Germany Performances Michael von Hintzenstern Matthias von Hintzenstern Daniel Hoffmann Hans Tutschku Festival Hydra Research Texts Teaching Travel 2014 Japan Archive Links dadamenta HUSEAC Cito for french horn piano and live electronics year 2002 this page is

    Original URL path: http://www.tutschku.com/cito/ (2016-02-09)
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  • memory-fragmentation | Hans Tutschku
    intuitive Music Weimar Germany Performances Michael von Hintzenstern Matthias von Hintzenstern Daniel Hoffmann Hans Tutschku Festival Hydra Research Texts Teaching Travel 2014 Japan Archive Links dadamenta HUSEAC memory fragmentation 8 channel electroacoustic composition year 2001 duration 11 44 min studio Akademie der Künste Berlin memories sometimes glancing lights sometimes in longer relationships vocal sounds interrupted trials of connections between materials large blocks layer again interrupted cumulating energies memory impossible sidelights

    Original URL path: http://www.tutschku.com/memory-fragmentation-post/ (2016-02-09)
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  • Migration pétrée | Hans Tutschku
    commissioned by the French Culture Ministry and Ina GRM Two images were the starting point for Migration pétrée flying stone swarms and birds in cages Both metaphors are used as models for development of energy and intensity All sounds are derived from stone and bird sounds but are just barely recognizable We encounter the energy of pebbles on the beach under the pressure of walking feet from the little noises

    Original URL path: http://www.tutschku.com/migration-petree-post/ (2016-02-09)
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  • SprachSchlag | Hans Tutschku
    live electronics year 2000 duration 14 00 min studio Klang Projekte Weimar SprachSchlag is a rhythmic interplay between the instrumental part and the electroacoustic sounds All rhythms are derived from speech analysis of different languages The principal instruments are skin bass drum tom tom and vibraphone They are accompanied by some metal sounds tamtam Peking gongs crotales The electroacoustic sounds are live treatments of the percussion sequences and prepared soundfiles composed from voice and percussion sources The electroacoustic part acts as a prolongation of the gestures of the percussionist The dynamics of the live playing are analyzed by the computer to determine many parameters for the electroacoustic part It is therefore the percussionist controlling playback aspects within a certain Event see technical notes how the electroacoustic part works for detailed explanations Even if the live electronic part is controlled by the playing style of the instrumentalist the performance needs a second musician advancing events and controlling the amplification and mix He has to know the percussion score to accompany the instrumentalist The electroacoustic part is programmed as a Max MSP standalone application for Apple Macintosh The program contains all sound sequences and the event handling for the live treatments The

    Original URL path: http://www.tutschku.com/sprachschlag-post/ (2016-02-09)
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  • Epexergasia – Neun Bilder | Hans Tutschku
    HUSEAC Epexergasia Neun Bilder 4 channel electroacoustic composition year 2000 duration 12 03 min dedicated to Beatriz Ferreyra published on CD 2000 IMEB Bourges commissioned by IMEB Bourges Epexergasia Neun Bilder describes the disappearance and dissolution of human voice The composition is divided into nine sections some of which are clearly distinguishable from one another and others gradually merge The raw material comes from singing and vocalizations of different cultures

    Original URL path: http://www.tutschku.com/epexergasia-neun-bilder-post/ (2016-02-09)
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  • résorption-coupure | Hans Tutschku
    combination of synthetic sounds coming from physical modeling and recordings I made in different Asian cultures The synthetic sounds were realized with the program Genesis ACROE The physical behavior of vibrating objects are simulated in the computer and their natural limitations extended I created virtual objects which would not otherwise exist The compositions deals with two time aspects continuity and interruption During the piece the fact of cutting becomes continuous

    Original URL path: http://www.tutschku.com/resorption-coupure-post/ (2016-02-09)
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  • NochDreiSekundenSchwarz | Hans Tutschku
    Music Weimar Germany Performances Michael von Hintzenstern Matthias von Hintzenstern Daniel Hoffmann Hans Tutschku Festival Hydra Research Texts Teaching Travel 2014 Japan Archive Links dadamenta HUSEAC NochDreiSekundenSchwarz video in collaboration with Kerstin Wagener ZKM Karlsruhe year 1999 this page is

    Original URL path: http://www.tutschku.com/nochdreisekundenschwarz-post/ (2016-02-09)
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  • human-space-factory | Hans Tutschku
    1999 duration 11 49 min studio Musiques et Recherches Ohain dedicated to Annette Vande Gorne first performance July 04 2002 Festival Inventionen Berlin The sounds of this composition are derived from sung and spoken utterances and machine noise Some piano sounds form a link between the two families of sound The 8 channel sound space is not only used for placing and moving sound structures but is directly linked to

    Original URL path: http://www.tutschku.com/human-space-factory-post/ (2016-02-09)
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