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  • Dialog für zwei Instrumentalgruppen | Hans Tutschku
    Ensemble for intuitive Music Weimar Germany Performances Michael von Hintzenstern Matthias von Hintzenstern Daniel Hoffmann Hans Tutschku Festival Hydra Research Texts Teaching Travel 2014 Japan Archive Links dadamenta HUSEAC Dialog für zwei Instrumentalgruppen year 2007 this page is still under

    Original URL path: http://www.tutschku.com/dialog-fur-zwei-instrumentalgruppen/ (2016-02-09)
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  • Shore | Hans Tutschku
    and live electronics year 2007 duration 11 20 min studio Klang Projekte Weimar first performance July 07 2007 by Christian Schmitt festival Nuie bleue Besançon France commissioned by Ecole Nationale de Music du Pays de Montbéliard France Shore is a dialogue between the solo oboe and subtle electroacoustic treatments Each of the three sections of the piece explores different relationships between the instrument and the electronics studio recording with Christian

    Original URL path: http://www.tutschku.com/shore-post-2/ (2016-02-09)
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  • Tell Me! … a secret … | Hans Tutschku
    composition Through my acting studies in Berlin and the work with Ensemble für Intuitive Musik I created multimedia performances incorporating dance music and image projection The photographs in Tell Me a secret are inspired by one of those performances However they are not just memories of a previous work but an extension of it a further realization through an interactive environment one that invites the public to act to listen to be surprised Tell Me a secret is built around two interactive sound and video installations which invite the viewer to become quite literally part of the art The conception came from my desire to explore many different types of artistic expression including theater music poetry and composition Through my acting studies in Berlin and the work with Ensemble für Intuitive Musik I created multimedia performances incorporating dance music and image projection The photographs in Tell Me a secret are inspired by one of those performances However they are not just memories of a previous work but an extension of it a further realization through an interactive environment one that invites the public to act to listen to be surprised Tell Me a secret is built around two interactive sound

    Original URL path: http://www.tutschku.com/tell-me-a-secret/ (2016-02-09)
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  • Distance liquide | Hans Tutschku
    2007 duration 13 00 min studio Ina GRM Paris dedicated to my mother first performance January 13 2007 Maison de la Radio France Paris commissioned by Ina GRM In this composition the picture of liquid moving and fast dissolving forms became the metaphor for sound spatialization in the electroacoustic space Each musical gesture is bound to a specific space movement that underlines its character Out of recorded sequences with a

    Original URL path: http://www.tutschku.com/distance-liquide/ (2016-02-09)
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  • Zellen-Linien | Hans Tutschku
    2007 by Sebastian Berweck TU Berlin commissioned by DAAD Berlin Zellen Linien uses my research on prepared piano and live electronics I undertook over the past years I wanted to create an electronically prepared piano and there are no physical preparations in the instrument Since 1999 I experimented with real time analysis of sounds and with possibilities to control the live electronics through the gesture of the player A first result was the composition Das Bleierne Klavier Many performances of that piece enriched my experience and led finally to this new work video Performance with Xenia Pestova May 16 2008 McGill University Montréal video Performance with Sebastian Berweck November 25 2011 piano Festival ZKM Karlsruhe recording with Sebastian Berweck http www tutschku com wp content uploads 2013 11 Zellen Linien ogg score To obtain a printed copy and or a download link to the score follow this link to BabelScores downloads The electronic part is realized as an independent application and doesn t require a Max MSP installation download electronics for Mac intel version 1 35 Max 6 application march 2015 technical requirements 2 microphones Neumann 184 8 channel loudspeaker system sourrounding the public 1 stage monitor laptop MacBook Pro

    Original URL path: http://www.tutschku.com/zellen-linien/ (2016-02-09)
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  • Salut du Mexique | Hans Tutschku
    Matthias von Hintzenstern Daniel Hoffmann Hans Tutschku Festival Hydra Research Texts Teaching Travel 2014 Japan Archive Links dadamenta HUSEAC Salut du Mexique 2 channel electroacoustic composition year 2006 duration 2 37 min studio Klang Projekte Weimar dedicated to Francis Dhomont first performance October 21 2006 festival Espace du son Brussels This short piece is a gift for the 80th birthday of Francis Dhomont He has been an important influence in

    Original URL path: http://www.tutschku.com/salut-du-mexique/ (2016-02-09)
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  • Winternacht | Hans Tutschku
    2009 Winternacht makes reference to several poems by Georg Trakl His poetry has been a source of inspiration for many chamber music and electroacoustic compositions in the past years For this composition I choose texts which refer to his childhood But those poems and letters don t come to the surface of my piece We hear dialogs of the two musicians which are taken and transformed by the electronics The

    Original URL path: http://www.tutschku.com/winternacht-post/ (2016-02-09)
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  • Die Süsse unserer traurigen Kindheit | Hans Tutschku
    and Concept Hans Tutschku Stage Direction Françoise Rivalland Live Electronic Design Carl Faia Live Video Processing Mark Coniglio Musical Director Alexander G Adiarte Singers Anne May Krüger Sarah Maria Sun Soprano Dancer Hans Georg Lenhart Voice Peter Rauch Ensemble ascolta The sweetness of our sad childhood is a music theater project which approaches Georg Trakl one of the leading figures of literary expressionism with multi layered musical scenic and visual materials based on his texts and letters His poems have previously been the starting point for chamber and electro acoustic compositions by Hans Tutschku In this piece he combines his musical settings of the texts with an unconventional stage setting five instrumental soloists two singers a dancer and video projections The audience is thus integrated into the performance space and the borderlines between the performers and the observers are questioned The stage direction concept by Françoise Rivalland was developed in close collaboration with the composer and supports their common vantage point Namely that there cannot be a clear interpretation of the poems A selection of poems and excerpts from Trakl s letters will be presented from different perspectives Texts were chosen for the piece which in many ways focus on

    Original URL path: http://www.tutschku.com/die-susse-unserer-traurigen-kindheit/ (2016-02-09)
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