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  • GoPro Hero 3+ Announced. Specifications and Pricing. Available Now. Video Demo « Wide Open Camera
    car One Button Upon powering on the camera automatically beings recording video or capturing Time Lapse photos Auto Low Light Automatically adjusts frame rates according to lighting conditions for enhanced low light performance Auto Low Light Video Settings Bright Environments Low Light Environments 1440p 48 fps 1440p 24 fps 1080p 60 fps 1080p 30 fps 1080p 50 fps 1080p 25 fps 1080p 48 fps 1080p 24 fps 1080p SuperView 48 fps 1080p SuperView 24 fps 960p 60 fps 960p 30 fps 960p 50 fps 960p 25 fps 960p 48 fps 960p 24 fps 720p 60 fps 720p 30 fps 720p 50 fps 720p 25 fps 720p SuperView 60 fps 720p SuperView 30 fps 720p SuperView 50 fps 720p SuperView 25 fps 720p SuperView 48 fps 720p SuperView 24 fps Looping Video Records a continuous video loop that overwrites itself until you press the shutter button to stop it It s ideal for saving space on your memory card while waiting to catch a moment of action Photo Modes Still Photo Resolution Field of View FOV Screen Resolution 12MP Ultra Wide 4000 x 3000 7MP Ultra Wide Medium 3000 x 2250 5MP Medium 2560 x 1920 Time Lapse 0 5 1 2 5 10 30 60 second intervals Burst Photo 30 photos 1 second 30 photos 2 seconds 30 photos 3 seconds 10 photos 1 second 10 photos 2 seconds 5 photos 1 second 3 photos 1 second Continuous Photo up to 30 seconds 3 photos 1 second 5 photos 1 second 10 photos 1 second Simultaneous Video and Photo Photo Resolution Photo Capture Interval Video Resolution Video fps 12MP 5 10 30 60 second intervals 1440p 24 7MP 5 10 30 60 second intervals 1080p 30 25 24 5MP 5 10 30 60 second intervals 720p 60 50 Photo Modes Overview Still Photo Capture a single photo Continuous Photo Hold down the shutter button to continuously capture a series of photos until shutter button is released Simultaneous Video and Photo Record video and capture Time Lapse photos at the same time Burst Photo Capture up to 30 photos per second perfect for fast action photography Time Lapse Automatically capture a series of photos at timed intervals Ideal for capturing photos when the camera is out of reach Image Quality Optics 33 improved image sharpness compared to HERO3 Black Edition Ultra sharp 6 element aspherical glass lens Fixed f 2 8 aperture Ultra wide angle field of view Battery Charging 30 longer battery life compared to HERO3 Black Edition Rechargeable lithium ion battery Rated at 1180mAH 3 7V 4366mWh Battery Life The chart below indicates the approximate continuous recording time hr min you can expect when shooting in various video modes using a fully charged battery With Wi Fi Off With Wi Fi On Using Wi Fi Remote With Wi Fi On Using GoPro App With Wi Fi Off Using LCD Touch BacPac Video Mode Estimated Time Estimated Time Estimated Time Estimated Time 4K 15fps 2 00 1 50 1 20

    Original URL path: http://wideopencamera.com/cameras/gopro-hero-3-announced-specifications-and-pricing-available-now/ (2016-02-16)
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  • iPhone 5S gets it’s first slow-motion samples « Wide Open Camera
    m less satisfied with the resolution on the 720p120 on the iPhone 5S multiple sources all seem to be heavily compressed to the point where it s resolving closer to 480p than 720p Here is another sample of breakdancers it s interesting that anyone can shoot this kind of stuff now Upside is you can easily fit a lot of 720p120 on your phone now if you could just chose to do higher bitrate to preserve more image quality Jared Abrams Visit My Website View My Other Posts Jared Abrams is a cinematographer based in Hollywood California After many years as a professional camera assistant he switched over to still photography About two years ago a new Canon camera changed the way the world sees both motion and still photography He just happened to be in the right place at the right time Related Posts NAB 2013 Phantom Flex 4K Video Wide Open Camera Posted on 07 April 2013 4K is Now Sony has brought 4K to THEIR Consumers Posted on 03 July 2013 Sony NEX FS700 A Nerds Perspective Posted on 02 April 2012 Anamorphic Lens Adapter For iPhone 5 Kickstarter Project By Moondog Labs Posted on 22 November 2013 High Speed Posted on 27 August 2012 Visual Authors Posted on 20 June 2011 Dave Altizer Did some tests and made a film https vimeo com 76054506 MoricErianna I want to share my testimony with the public at large about what this man called Dr Malaa just made for me just the man to bring back my Ex husband lost me with his great spell I married my husband we were togecther for a long time and we loved ourselves but when I was unable to give a child of 2 years left me and told me I can

    Original URL path: http://wideopencamera.com/cameras/iphone-5s-gets-its-first-slow-motion-samples/ (2016-02-16)
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  • Camera News Round-Up « Wide Open Camera
    Card GoPro dropped the price on the Hero 3 line up the Black is now 330 and the Silver is 250 this might be a move to sell off stock before the Hero 4 is announced which is expected before the end of the year since they released Hero 2 and 3 around this time or might simply be a move to keep competitive while they hold off on the Hero 4 I expect a Hero 4 but wouldn t be shocked if they waited till 2014 Jared speculated on the possible features we might see in the Hero 4 The Canon C100 C300 and C500 now has ISO 80 000 coming in October along with many other features in a new firmware update A one of a kind S16 digital camera is available for rent at Rule Boston now Called Black Betty it s an SI 2K Mini and Mac Mini frankensteined together into shoulder mounted camera case It s a unique beast and I love the DIY work That s just a taste of what s happening in the professional camera world lately Enjoy the delicious images Jared Abrams Visit My Website View My Other Posts Jared Abrams is a cinematographer based in Hollywood California After many years as a professional camera assistant he switched over to still photography About two years ago a new Canon camera changed the way the world sees both motion and still photography He just happened to be in the right place at the right time Related Posts Canon 70D What to Like and Dislike Posted on 02 July 2013 Sony Nex 5N And Two Hot Models Posted on 02 September 2011 New versions of Cinema Profile for DSLRs from CinePlus video comparison with CineStyle Posted on 06 September 2012 Sony Announces the

    Original URL path: http://wideopencamera.com/cameras/camera-news-round-up/ (2016-02-16)
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  • Arri Announces AMIRA. A 2K Documentary Style Camera. Under $20K « Wide Open Camera
    images in any situation AMIRA records Rec 709 or Log C images using ProRes LT 422 422HQ or 444 codecs By recording to in camera CFast 2 0 flash memory cards with super quick data rates the route into postproduction is made as simple as possible CFast 2 0 is an open format easily accessible to anyone and delivering a fantastic price performance ratio through incredible transfer speeds long recording times and compatibility with standard IT tools Costs per GB are brought right down and higher than broadcast quality image pipelines are made available even to low budget productions Single user ergonomics perfect shoulder balance AMIRA boots up quickly and can be used straight out of the bag by a single user with no setting up no rigging and no delays In the time it takes to lift the camera to an operator s shoulder it will be ready to record making AMIRA perfect for run and gun shoots where the action is unpredictable and the camerawork responsive Integrated motorized ND filters as well as zebra and false color tools aid exposure control while an advanced peaking function makes accurate focusing easy and swift Access to switches and configurable user buttons is quick and intuitive An innovative multi viewfinder makes life even easier for the single user by combining a high resolution OLED eyepiece with a fold away LCD monitor that displays a live image when the eyepiece is not in use and also provides full access to camera functions without AMIRA having to be removed from the operator s shoulder Flexible multi channel audio options are accessed from the camera right side again minimizing disturbance to the operator Cost efficient in camera grading In today s environment of cut budgets and shortened schedules many television productions do not have the luxury of spending time finessing a look in postproduction AMIRA is unique in that it comes with a number of preloaded 3D LUT based looks that can be applied on set during the shoot Alternatively productions can custom build their own 3D LUTs in external grading systems load them into the camera during prep and even modify them in camera while filming With 3D LUTs literally any look that can be imagined can be created giving cinematographers and directors a greater degree of creative control on fast moving productions while keeping postproduction costs down for producers ARRI product quality rugged and reliable Like all ARRI products AMIRA is designed to be a safe long term investment and built to withstand the rigors of life on a professional set With a solid internal skeleton that guarantees camera and lens stability AMIRA is a highly durable product constructed of the strongest possible materials Sealed electronics provide top level protection against humidity and dust while an integrated thermal core results in highly efficient cooling Productions can take AMIRA anywhere from jungles and deserts to snow capped mountain tops sure in the knowledge that it will not let them down Jared Abrams Visit

    Original URL path: http://wideopencamera.com/cameras/arri-announces-amira-a-2k-documentary-style-camera-under-20k/ (2016-02-16)
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  • DSLR Dynamics Video Visuals Tour With Barry Andersson and Planet Mitch. « Wide Open Camera
    valid until September 30th so don t delay You can find all of the cities and dates here The code is wideopencamera15 and put that code into the box on the registration page http dslrdynamics com datessign up Here is a rip from the Vimeo post JOIN US AND LEARN TO IMPROVE YOUR VIDEO Delivering in depth instruction on how to shoot and edit video using DSLRs The DSLR Dynamics Video Visual workshops are taught by two award winning instructors Barry Andersson and planetMitch With the help of DSLR Dynamics Video Visuals you can finally equip yourself with the tools and knowledge necessary to take greater control over your creative projects and consistently deliver impactful videos Lighting Compostion and Framing Camera Movement Audio Editing and Coloring and More Jared Abrams Visit My Website View My Other Posts Jared Abrams is a cinematographer based in Hollywood California After many years as a professional camera assistant he switched over to still photography About two years ago a new Canon camera changed the way the world sees both motion and still photography He just happened to be in the right place at the right time Related Posts Canon Announces 5D Mark III 3499 Hands On Video Sample Footage Posted on 01 March 2012 The Blackmagic Pocket Camera Review By Philip Bloom Part 1 Posted on 25 August 2013 Half Inch Rails Zip Tie Lens Gears For Ten Bucks Posted on 08 February 2011 Boris Continuum 8 sharpening film grain Sorenson x264 for DSLR Posted on 21 December 2011 Cinetics Posted on 31 December 2012 The Big Ass Lighting Demo EVS July 13th 2012 Prizes Posted on 09 July 2012 Sponsors Projects New Product Recent Posts Four Foot Soft Light Wand By Michael Sutton DIY Under 70 Red Announces Red Raven A Sub 6K

    Original URL path: http://wideopencamera.com/cameras/dslr-dynamics-video-visuals-tour-with-barry-anderson-and-planet-mitch/ (2016-02-16)
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  • Sony 4K Handycam FDR-AX1 Sample Video. « Wide Open Camera
    2 3 Exmor R 8 3MP CMOS Image Sensor Sony G Lens with 20x Optical Zoom Built In Microphone Dual Pro XLR Jacks Dual XQD Card Slots for 4K Recording XAVC S Format for 150 Mbps 4K Recording Three ND Filters Five Paint Functions Independent Zoom Focus Iris Rings Seven Assignable Buttons HDMI Output Supports TRILUMINOS Color Technology Jared Abrams Visit My Website View My Other Posts Jared Abrams is a cinematographer based in Hollywood California After many years as a professional camera assistant he switched over to still photography About two years ago a new Canon camera changed the way the world sees both motion and still photography He just happened to be in the right place at the right time Related Posts EVS Has The New Canon C100 And A Cool New Stellar Lotus Light For 299 Posted on 14 December 2012 Really Cool Designed and Made Moco Wooden Dolly For 599 US Posted on 25 February 2012 Resolution Isn t Everything S16 35MM R I P 1891 2012 Posted on 30 May 2012 Panasonic GH4 4K Metabones Speedbooster Test Self Graffitti Artist Posted on 08 May 2014 Odyssey 7 On Camera Monitor and Recorder from Convergent Design

    Original URL path: http://wideopencamera.com/cameras/sony-4k-handycam-fdr-ax1-sample-video/ (2016-02-16)
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  • The new age of aerial photography and FPV « Wide Open Camera
    in the air and to loose it out of your field of view and end up flying blind You will also need a bright outdoors monitor these are all SD and a hoodman to block glare and sun No point in having a first person view if the sun is blocking out the image You will need a battery to power the monitor and the receiver as well On the copter side you will want to have some regulated 12v power for the transmitter Some ferrite cores will reduce and interference you might get from the rest of the copter components which can cause lines in your video link On top of this you can add an on screen display OSD to overlay flight data like horizon distance height voltage etc Its always good to know if that battery is about to die so you can be proactive and fly back in advance of a potential crash The Phantom has a few upgrade kits to make things easier for you One of the easiest and most recommended is the prop guard upgrade This is great if you plan on flying indoors for example or next to buildings The stock DJI props are very fragile and have even been known to crack in high wind flying which will cause a crash Look at getting some carbon fiber or carbon nylon mix props I advise against using larger props as you will burn out your stock motors and will get some erratic flying action especially in higher winds Want to go bigger I use a DJI F450 quad copter or F550 Hexa copter which has more lift a bigger footprint which could be a bad thing and more space to cram in electronics These are sold as kits as almost ready to fly and as ready to fly If you have some basics in RC and electronics I would go with a basic kit F550 which consists of 6x ESC s 6x motors 6x 8 props 6x 10 props the body arms and power lead You will need some solder battery charger RC transmitter RC receiver get more than 4 channels ideally 7 or 8 and a flight controller For flight controllers there are several options The first is to stick with DJI The Naza Naza M v2 and Wookong are the lower to higher end controllers These tell the motors what the receiver GPS power etc commands and it in exchange determines orientation compensations etc to the motors There are other third parties as well like APM Multi Wii Zero UAV Arduflyer Rabbit etc Most of these are open source and personally unless you are someone competent in Arduino programing can be a problem and unpredictable Some of them have a gui of their own but to each his own I personally like the DJI software as its straight forward easy to use and now is available on iphone if you have the BTU Bluetooth module option 50 for Naza M

    Original URL path: http://wideopencamera.com/cameras/the-new-age-of-aerial-photography-and-fpv/ (2016-02-16)
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  • Canon Cinema Zooms « Wide Open Camera
    specs Mount Type EF S or PL Zoom Ratio 4 1x Focal Length Range 14 5 60mm Number Of Iris Blades 11 Maximum Photometric Aperture T Number 1 2 6 at 14 5 60mm MOD From Front of Lens 2 4 Size Length 5 35 x 6 42 x 12 83 in Weight 9 9 lb Front Diameter Ø136mm CN E15 5 47mm T2 8 Compact Cinema Zoom specs Mount Type EF S or PL Zoom Ratio 3 0x Focal Length Range 15 5 47mm Number Of Iris Blades 11 Maximum Photometric Aperture T Number T 2 8 15 5 47mm MOD From Front of Lens 1 8 Size Length mm mod 114 x 125 x 222 mm Weight 4 8lbs Front Diameter 114mm Note the electronic contacts on the 15 5 47mm No contacts on the 14 5 60mm I have own a Canon 30 105mm compact cine zoom which is physically the same size as the 15 5 47mm The two make a perfect pair as far as I am concerned It makes me wonder if Canon will attempt a compact version of the 30 300mm or if that is even possible at that range They can do it with their still lens line so its feasible depending on the mechanics Canon originally released all their cinema zooms with either a PL or an EF mount You had to choose between the two and it was not an option to swap them This obviously hindered sales as clients would want the option for both mounts as companies like Angenieux and Zeiss were offering mount swap kits After much complaining from rental houses customers and myself of course Canon offered a mount swap option where you would send in your lens and canon would do the conversion Not very practical of course They since changed that to have qualified rental houses swap their own mounts which was a little better Matt Duclos of Duclos Lenses one up d Canon by offering their excellent Multi Mount system which allows mount swaps from EF PL Nikon etc within seconds Its a great option and the second I heard about it I sent my lens off to Matt to get the conversion Canon is slowly starting to get it and I have a feeling that lenses in the future will have a easy mount swap option I also think know we will be seeing some new Canon lenses at NAB next year They will be leaked a little before of course I get a lot of people asking if the Canon Cinema Primes will ever be offered in PL The answer I was always told was no Based on the design and looking at them I cannot see this working without them retrofitting the back of the lens The 85mm for example would have the element sticking well out the back of the PL which would cause damage However this does not mean that canon will not offer a new set of

    Original URL path: http://wideopencamera.com/cameras/canon-cinema-zooms/ (2016-02-16)
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