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  • AJA KI PRO MINI – ON MY DESK « Wide Open Camera
    them do that and that alone then they shine By devolving the recording responsibilities to another unit which costs a little bit less than a 5D you can own a camera system that won t just compete it ll seriously kick ass An EX1 costs more than the kind of camera system you will soon be able to build with a DSLR and a Ki Pro Mini We re not there yet but the Ki Pro Mini is real it s sitting on my desk and it s just waiting for the DSLR market to catch up For now it s going to take a feed from my XF300 from an EX1 and we re going to really put it through its paces on a 48 hour film challenge shooting with an F3 The F3 is limited to 35mb s which is frankly crap But we can take a feed into the AJA and really make best use of what the sensor is doing That s going to be an interesting test for it Remove the need to sync audio and the need to transcode and suddenly this unit looks like proper value for money Not to mention that the nearest equivalent doesn t even really exist yet and the Nanoflash is a lot more expensive AJA equipment comes with a 5 year warranty Interested yet It s all handbuilt and each unit spends 72 hours at the bench going through tests Anything else They hold killer parties at NAB There s a lot to like about this unit It s small it s light it will need power of course but with a Switronix power setup you can tap the Ki Pro as you would any other 12v device The XLR inputs remove the need for a Zoom you ve also got HD SDI input and output for maximum flexibility HDMI input and output also featured In other words it ought to be great We shall see This much I do know The BBC have been looking at the Ki Pro Mini and testing it for use in acquisitions for their programmes with very positive reports back Prores is traditionally a mastering codec and not an acquisition one Jared Abrams Visit My Website View My Other Posts Jared Abrams is a cinematographer based in Hollywood California After many years as a professional camera assistant he switched over to still photography About two years ago a new Canon camera changed the way the world sees both motion and still photography He just happened to be in the right place at the right time Related Posts Nasty Clamps Nasty Flag Quick Take Video Posted on 29 February 2012 How To Mark An Actor For Camera Posted on 14 January 2013 Sony Announces A57 699 Rebel Killer 60fps At Full HD Posted on 14 March 2012 NAB 2012 Edelkrone DSLR Pocket Rig And Double Shoulder Rigs Posted on 23 April 2012 Heading to CES with Dan Chung for The Guardian UK Posted

    Original URL path: http://wideopencamera.com/cameras/aja-ki-pro-mini-on-my-desk/ (2016-02-16)
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  • Quick Take: ikan iLED 312 Bi-Color On Camera Light. « Wide Open Camera
    iLED 312 is not cheap at around 500 Click here to check it out Note The iLED 312 is advertised with a 6 articulating arm The unit I have was supplied with a ball mount hot shoe adapter Jared Abrams Visit My Website View My Other Posts Jared Abrams is a cinematographer based in Hollywood California After many years as a professional camera assistant he switched over to still photography About two years ago a new Canon camera changed the way the world sees both motion and still photography He just happened to be in the right place at the right time Related Posts Zacuto Scorpion Rig BTS On Set Technicolor Cinestyle Night Test Posted on 03 May 2011 Shooting in Senegal Part 1 Talent Comes First Posted on 14 July 2011 Polaroid Cube Camera Available For Pre Order 100 US Posted on 13 August 2014 SXSW 2011 Part Two JAG35 Dreaming In Austin Posted on 21 March 2011 Insurance Day Rates and Rental Rates Part 1 Of 3 Posted on 28 February 2012 DJI Inspire 1 Quadcopter With 4K Camera and 3 Axis Gimbal 2900 US Posted on 15 November 2014 Pingback Falling Through the Cracks ikan News Blog

    Original URL path: http://wideopencamera.com/cameras/quick-take-ikan-iled-312-bi-color-on-camera-light/ (2016-02-16)
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  • SXSW 2011 Part Two. JAG35 Dreaming In Austin. « Wide Open Camera
    about the festival I guess in many ways the social aspect of SXSW is what really sets it apart from other film festivals Andrea Allen and Dan Hayek were gracious enough to include some of our footage in this CNN Wrap Up By The Numbers Jared Abrams Visit My Website View My Other Posts Jared Abrams is a cinematographer based in Hollywood California After many years as a professional camera assistant he switched over to still photography About two years ago a new Canon camera changed the way the world sees both motion and still photography He just happened to be in the right place at the right time Related Posts RØDE Rockumentary 25K Film Competition Posted on 02 July 2012 Quick Take D Matte 4 4 Clip On Matte Box 250 Posted on 08 September 2011 Tattoo Documentary Promo Posted on 21 October 2010 DSLR Dynamics Video Visuals Tour With Barry Andersson and Planet Mitch Posted on 06 September 2013 First Look At The JAG35 Camera Slider Posted on 05 August 2011 Canon Rumors New C100 C500 Canon Cinema Camera At NAB 2012 UPDATE Posted on 10 April 2012 Sponsors Projects New Product Recent Posts Four Foot Soft Light

    Original URL path: http://wideopencamera.com/cameras/sxsw-2011-part-two-jag35-dreaming-in-austin/ (2016-02-16)
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  • TECHNOLOGY VS STORY – YAWN « Wide Open Camera
    together and made collaborations that would not have been possible otherwise Filmmaking is not a solitary pastime it s best done as a group I m never going to deny anyone the right to call themselves a filmmaker but for me two things define the filmmakers I admire firstly their ability to move me and secondly their ability to get the job done marshalling their troops and bringing everyone into line for the execution of their vision Most filmmakers fail on both counts And that s no indictment of filmmakers in general it s just the job is really really really bloody hard A lot of DSLR films I see fail to move me and yet that s what you should concentrate on most when you re starting out It s simply not possible to learn the skill of wrangling a team until you can persuade people that your ability to move them is worth people pitching in on So when you hear this seemingly endless needle between tech heads and narrative nerds just remember that none of that really means anything on its own In the hotel industry the call the physical building the hardware they call the service and the staff the software and I think that view could be taken on filmmaking as well Your computer s kind of useless without software to run on it You might be investing in cameras but think too about investing in relationships with talented people who can help you be better Or don t Just a thought Jared Abrams Visit My Website View My Other Posts Jared Abrams is a cinematographer based in Hollywood California After many years as a professional camera assistant he switched over to still photography About two years ago a new Canon camera changed the way

    Original URL path: http://wideopencamera.com/cameras/technology-vs-story-yawn/ (2016-02-16)
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  • SXSW Day One. Killer Video By Misa Garcia. « Wide Open Camera
    validity of film festivals as a way to market and promote independent films We will get them up as soon as we can find our car keys and get back to the hotel Jared Abrams Visit My Website View My Other Posts Jared Abrams is a cinematographer based in Hollywood California After many years as a professional camera assistant he switched over to still photography About two years ago a new Canon camera changed the way the world sees both motion and still photography He just happened to be in the right place at the right time Related Posts Tweet To Win A Wide Open Camera 3 Stop Polarizer Filter Posted on 25 April 2011 The Stubilizer Compact GoPro Gyro Stabilizer Kickstarter Project Posted on 05 March 2014 Tweet to Win 3 Stop Polarizer from WOC Posted on 22 May 2011 Carl is Gone ZEISS will stay Posted on 30 June 2013 MicroGAFFER Pocket size gaffer tape for the Modern Production Posted on 28 May 2013 Grand comme le Baobab Will Premiere At The Montreal World Film Festival Posted on 19 July 2012 Sponsors Projects New Product Recent Posts Four Foot Soft Light Wand By Michael Sutton DIY Under 70

    Original URL path: http://wideopencamera.com/cameras/sxsw-day-one-killer-video-by-misa-garcia/ (2016-02-16)
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  • The Premiere Of The Whistle Bait Doc At The Hideout Theatre 3/11/11 « Wide Open Camera
    is a one time only event that will be held March 11th at 6pm Please email wideopencamera gmail com and put The Whistle Bait Doc SXSW in the header to reserve a seat Seating is limited to the first fifty people We will also give out some prizes to a few lucky attendees Here is a rip from The Hideout Theatre s site Click here to check it out We ve been downtown for all of our life We re one of the few options for live entertainment downtown that doesn t involve drinking until you pass out or destroying your eardrums with mind numbingly loud music 617 Congress Avenue to be exact The southeast corner of 7th and Congress to be more exact latitude 30 268567 longitude 97 74216 to be stupidly exact Jared Abrams Visit My Website View My Other Posts Jared Abrams is a cinematographer based in Hollywood California After many years as a professional camera assistant he switched over to still photography About two years ago a new Canon camera changed the way the world sees both motion and still photography He just happened to be in the right place at the right time Related Posts Tattoo Doc BTS From Misa Garcia of JAG35 Posted on 23 October 2010 Tattoo Documentary Pre Production Posted on 18 October 2010 Tattoo Documentary Promo Posted on 21 October 2010 Making Film Podcast with Thomas Roberts Posted on 21 July 2011 SXSW Day One Killer Video By Misa Garcia Posted on 13 March 2011 Hootenanny 2011 FCPX Film Grain Look Happy 4th Of July Posted on 04 July 2011 http www withoutabox com login 6906 Aaron Would love to see Whistle Bait at the 2011 Interrobang Film Festival Please consider our festival for your documentary You can submit through Without

    Original URL path: http://wideopencamera.com/cameras/the-premiere-of-the-whistle-bait-doc-at-the-hideout-theatre-31111/ (2016-02-16)
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  • Quick Take: Voigtlander Nokton 25mm f0.95 MFT Lens. « Wide Open Camera
    of the lens It also comes with two lens caps One cap for the lens The other for the sunshade I will end up using the shade as a step up ring to get to my preferred 82mm filter size I have found that the smaller MFT sensor needs a fast lens to get the DOF we have become accustomed to with our full frame Canon 5D MKII The Voigtlander Nokton 25mm f0 95 does the trick Click here to check it out Jared Abrams Visit My Website View My Other Posts Jared Abrams is a cinematographer based in Hollywood California After many years as a professional camera assistant he switched over to still photography About two years ago a new Canon camera changed the way the world sees both motion and still photography He just happened to be in the right place at the right time Related Posts Canon 70D What to Like and Dislike Posted on 02 July 2013 Thunderbolt 2 Are Your Peripherals Obsolete Posted on 27 June 2013 New Canon EOS M Mirrorless Camera Specs Announced 18MP APS C Posted on 22 July 2012 Zacuto Scorpion Rig Available Now For 2500 Posted on 17 January 2012 GoPro Hero 3 Black 2 7K 24fps Cine Test With Leah Petersen Stunt Motorcyclist 4K 2 7K Downloads Posted on 11 November 2012 Fire Destroys Home Fellow Filmmaker Yves Simard Needs Our Help Posted on 21 December 2011 http YourWebsite Jason Musgrave Your Comments Awesome lens will it work on a 5d mkii Just wondering if it will cover the sensor and if there is a mount for it http wideopencamera com Jared Abrams No it will not cover Full Frame Thanks http YourWebsite carlos micro 4 3 is delaying the evolution to full frame Why everyone is jumping on

    Original URL path: http://wideopencamera.com/cameras/quick-take-voigtlander-nokton-25mm-f0-95-mft-lens/ (2016-02-16)
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  • Panasonic AF100 Needs Fast Lenses. Contax 50mm f1.4 « Wide Open Camera
    I really cannot thank him enough We get most of our Contax Primes used from KEH camera I am still on the fence with the smaller MFT sensor I do like the tiny size of the GH2 and see myself bringing it with me everywhere I go I grabbed mine from DigitalRev out of Hong Kong for around 1K Jared Abrams Visit My Website View My Other Posts Jared Abrams is a cinematographer based in Hollywood California After many years as a professional camera assistant he switched over to still photography About two years ago a new Canon camera changed the way the world sees both motion and still photography He just happened to be in the right place at the right time Related Posts A workflow for shooting raw video on the 5D Posted on 16 May 2013 Audience Interpretation on Filmmaking and Storytelling Posted on 28 May 2013 Sony Announces NEX F3 Camera 600 With 18 55mm Lens Posted on 17 May 2012 Kuler Real World Color Sampling from Adobe Posted on 13 June 2013 Redrock Micro Halo Wireless follow Focus System NAB 2015 Posted on 13 April 2015 Quick Take Chrosziel Dv Balancer Hand Held Rig Posted on 31 January 2011 http www penningtonimages com Bill Pennington Do you need an adapter to mount the Contax lenses to a GH2 http www alanfentiman co uk Alan Thanks for this Looks great What adapter do you need for this lens on the 101 http wideopencamera com Jared Abrams Yes Check out http www fotodiox com http wideopencamera com Jared Abrams http www fotodiox com C y to M4 3 http hybridcamerarevolution blogspot com Bill Thanks for this post Jared I was very interested in your comparison of the GH2 and the AF100 I m a GH2 shooter and

    Original URL path: http://wideopencamera.com/cameras/contax-50mm-f1-4/ (2016-02-16)
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